{ "store": "Fabric Shop Company", "website": "https://fabriccompany.net", "currency": "CAD", "count": 21, "products": [ { "id": "black-mesh-fabric-18-x-54-inch", "sku": "black-mesh-fabric-18-x-54-inch", "title": "Black Lightweight Mesh Fabric Piece", "slug": "black-mesh-fabric-18-x-54-inch", "price": 28.99, "currency": "CAD", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "9.07 g", "images": [ "https://fabriccompany.net/dropship-images/craft-fabrics/black-mesh-fabric-18-x-54-inch/main-black-mesh-fabric-18-x-54-inch.jpg" ], "description_short": "This lightweight polyester mesh has slight stretch for bag pockets and small sewing projects.", "description": "A bag pocket is less useful when you have to empty it to find one small item. A solid pocket can hide what is inside, while a heavy fabric can add more bulk than a small sewing project needs.\n\nThis mesh fabric offers a different approach. It is see-through, lightweight, and slightly stretchy, so it is worth considering for pockets that keep their contents in view. The black polyester mesh comes as one precut piece measuring 46 x 137 cm (18 x 54 in).\n\nBefore choosing it, think about what the pocket will hold and how your pattern uses mesh. A good match depends on more than colour. Piece size, edge finishing, and the amount of support your design needs all matter.\n\nWhat this mesh does\n\nThe open structure is the main reason to choose see-through pocket fabric. You can look through the panel rather than opening the pocket to check its contents. That can be useful in a bag with several compartments, especially when each pocket has a different job.\n\nThe fabric is described as lightweight and low in bulk. That matters where a pocket joins a lining or where several layers meet at a seam. It gives you a mesh option without choosing a heavier solid panel.\n\nThere is also slight stretch for expansion. Think of this as a little give, not a measured stretch performance. The maker does not state a stretch percentage or direction, so the fabric should be checked against the needs of your pattern.\n\nStart with the pocket's job\n\nBefore buying mesh for bag pockets, decide what each pocket needs to do. A shallow panel for keeping contents visible has different needs from a deep pocket that carries weight.\n\nConsider the size of the items as well. The maker does not state the mesh opening size. If you plan to store very small loose objects, inspect the fabric before sewing to see whether they can pass through it. Visibility is helpful only if the pocket also keeps its intended contents inside.\n\nThis product does not give a load capacity. That makes it important to avoid treating the mesh as a rated support material. For a project that must carry heavy contents, look for a fabric and pattern with clear guidance for that use.\n\nKnow the piece size before you plan\n\nIts size is 46 x 137 cm (18 x 54 in). Use those dimensions to check your layout before deciding whether one piece is enough.\n\nA simple paper layout can help. Mark a rectangle at the supplied size, then place your pattern pieces within it. Keep the full cutting shapes, including seam allowances, rather than measuring only the finished pocket.\n\nAllow for edge finishes too. A turned edge may use some of the mesh, while binding may need a different allowance. Follow the pattern rather than guessing from the finished measurements.\n\nDo not assume every offcut will fit another pocket. A piece can have enough total area but still be the wrong shape for a long or wide panel. Check each cutting shape separately.\n\nMatch the material to your pattern\n\nThis is polyester mesh fabric with slight stretch. Those facts are useful starting points, but they do not tell you everything about how it will behave in a particular design.\n\nLook at the material notes in your sewing pattern. Does it call for lightweight mesh, firm mesh, or a specific amount of stretch? If it gives a stretch requirement, compare that with the fabric before cutting. A description of slight stretch is not a substitute for a measured percentage.\n\nThe same care is useful when replacing a solid pocket with mesh. An open panel may change what the pocket can hold or how its edges need to be finished. Keep the intended use in mind rather than assuming all pocket sewing fabric can be swapped without changes.\n\nChoose black with the backing in mind\n\nSolid black mesh gives you a dark panel, but it is still see-through. The lining, contents, or fabric behind it will remain part of the finished appearance.\n\nWhen planning a bag, place a sample against the intended lining if possible. Look at it both empty and with the sorts of items the pocket will hold. This helps you judge whether the visible contents suit the look you want.\n\nBlack can be an easy colour to include in a project, but the important point here is the open structure. If your design needs a fully opaque pocket that hides its contents, this mesh will not provide that effect by itself.\n\nPlan the edges before cutting\n\nA mesh panel needs to fit into the rest of your project, so decide how the edges will be handled before using the main piece. Your pattern may place the sides inside a seam and give the top edge a separate finish.\n\nBinding is one possible approach when the design calls for it. An enclosed edge may be another. The maker does not prescribe a finish, so use the pattern instructions and test your chosen method.\n\nPay attention to the pocket opening. It needs to work with the items going in and out, not just look neat when empty. A test panel can help you check access and shape before you commit to the final seams.\n\nTest your sewing setup\n\nThe supplied description identifies this mesh as easy to sew. Even so, a short test seam is worth doing because machines, thread, and project layers differ.\n\nUse an offcut to try the seam you intend to make. Check that the mesh feeds through without being pulled out of shape. Then look at the seam while the fabric is relaxed and while it is gently expanded.\n\nNo needle size, thread type, or stitch setting is stated for this product. Start with your machine's guidance for mesh, then adjust from the test result. Avoid choosing settings solely because they worked on a different fabric.\n\nIf the final seam includes lining or binding, include those layers in the test. A seam in mesh alone will not show exactly how the full combination behaves.\n\nConsider small organiser projects\n\nMesh for organisers can be useful when you want to see where things belong. A visible pocket may suit a sewing organiser or another small storage project whose pattern calls for lightweight mesh.\n\nStart by choosing the contents, then size the pocket around them. Leave room for access and the edge finish, but do not rely on the slight stretch to make up for a pocket that is too small.\n\nA trial layout is helpful here. Place the intended items behind the uncut fabric and consider where the pocket boundaries would sit. This is a planning step, not a strength test, but it can reveal whether the open fabric suits the job.\n\nCare for the finished project\n\nThe maker's details supports machine washing and tumble drying. It does not state wash temperatures, dryer settings, or an ironing temperature. Check any care label supplied with the piece before cleaning it.\n\nYour finished item may contain other materials with stricter care needs. A lining, binding, or added component can change how the whole project should be washed. Choose a care method that suits every part, not just the mesh.\n\nIf you plan to test washing, use an offcut where possible and check the result before cleaning a finished item. Remember that washed fabric does not meet the stated conditions for a change-of-mind return.\n\nInspect before you alter the piece\n\nWhen the fabric arrives, keep it uncut and unused while you check it. Confirm that the supplied piece suits your pattern and inspect how its openings, slight stretch, and see-through finish work for your plans.\n\nKeep the original packaging during this check. Returns are accepted within 14 days of delivery when the fabric is unwashed, uncut, unused, and in its original packaging. Change-of-mind return postage is paid by the customer.\n\nIf the goods are faulty or wrongly described, they are put right free of charge. Contact us with the order details and explain the problem before altering the fabric.\n\nThe short version\n\nChoose this black mesh fabric when your project calls for a lightweight, see-through polyester panel with a little give. Bags, pockets, and small organiser projects are the main uses to consider.\n\nPlan around one 46 x 137 cm (18 x 54 in) piece. Check your cutting layout, test your seams, and make sure the mesh suits the contents you want to store. Those simple checks will help you decide whether this piece belongs in your next sewing project.", "llm_summary": "This product is one precut piece of black lightweight polyester mesh fabric, measuring 46 x 137 cm (18 x 54 in). It is intended for bags, see-through pockets, and sewing projects that benefit from low bulk. The fabric has slight stretch for expansion and is described as easy to sew. The listed weight is 9.07 g. Machine washing and tumble drying are supported, but care temperatures are not specified by the maker. Mesh opening size, stretch percentage, load capacity, and country of origin are not specified. Fabric returns are accepted within 14 days of delivery when unwashed, uncut, unused, and in original packaging, with customer-paid return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/black-mesh-fabric-18-x-54-inch/", "canonical_url": "https://fabriccompany.net/black-mesh-fabric-18-x-54-inch/", "json_url": "https://fabriccompany.net/api/products/black-mesh-fabric-18-x-54-inch.json", "updated_at": "2026-11-13" }, { "id": "felt-fabric-sheets-28-piece", "sku": "felt-fabric-sheets-28-piece", "title": "Assorted Felt Sheets 28-Piece Pack", "slug": "felt-fabric-sheets-28-piece", "price": 55.99, "currency": "CAD", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "200 g", "images": [ "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/main-felt-fabric-sheets-28-piece.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/felt-fabric-sheets-28-piece-10.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/felt-fabric-sheets-28-piece-2.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/felt-fabric-sheets-28-piece-3.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/felt-fabric-sheets-28-piece-4.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/felt-fabric-sheets-28-piece-5.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/felt-fabric-sheets-28-piece-6.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/felt-fabric-sheets-28-piece-7.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/felt-fabric-sheets-28-piece-8.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/felt-fabric-sheets-28-piece/felt-fabric-sheets-28-piece-9.jpg" ], "description_short": "A pack of 28 non-woven sheets gives you colour choices for cutting, layering, sewing and decorating.", "description": "A small craft project can call for several colours but very little of each one. Buying a large length in every shade can leave you with more fabric than you need.\n\nThis pack contains 28 felt sheets in 28 different colours. Each sheet measures 30 x 20 cm and is approximately 1.4 mm thick. Those measurements matter more than a general description such as “craft size”. They tell you whether your pattern will fit and help you work out how much you can make before the scissors come out.\n\nStart with the project, not just the colours\n\nIt is easy to choose coloured felt sheets because the assortment looks useful. A better first step is to think about the largest piece in your design. Draw it on paper, including any overlap or joining allowance, then check it against a 30 x 20 cm rectangle.\n\nSmall flowers, letters, decorative patches and costume accents are possible project ideas. A broad letter may take most of a sheet, while several small leaves may fit beside one another.\n\nAlso count how many pieces you need in the same colour. This pack provides variety, with one sheet in each of 28 colours. It is not a supply of multiple sheets in one matching shade. If your design depends on repeated identical colours, settle that requirement before buying.\n\nUnderstand what the felt is\n\nThe supplied fabric information describes a non-woven felt with an acrylic, rayon and wool blend. It does not give the fibre percentages. That means you should not treat it as pure wool felt or assume it has the same properties as another blend you have used.\n\nNon-woven describes the construction rather than a woven thread pattern. For your project, the useful point is that these are felt sheets made for craft methods such as cutting, folding, sewing and gluing.\n\nThe pattern is listed as solid. There is no printed motif to position within your template, so you can focus on the outline and colour placement. Exact shade names are not provided. If a precise match to an existing fabric matters, an assorted pack needs more caution than a named colour bought for that purpose.\n\nMatch the sheet size to your design\n\nA 30 x 20 cm sheet is suited to smaller parts rather than broad, unbroken panels. You can combine sheets in a larger arrangement, but the joins become part of the design. Plan where those joins will sit instead of discovering the problem halfway through.\n\nFor a bulletin board, for example, individual felt shapes may be more practical than trying to make one continuous background. For costume work, think about badges, decorative panels or other details that fit within the sheet boundaries.\n\nPaper templates help with this decision. Lay them inside a measured rectangle and rotate them to compare layouts. Leave room to cut comfortably, especially around curves. This simple check can prevent a design from depending on a few centimetres of fabric that are not there.\n\nConsider thickness and layers together\n\nThe felt is approximately 1.4 mm thick. That gives you a useful planning figure, but it is not a guarantee of stiffness or support. The maker does not state a stiffness rating.\n\nThink about the finished stack when you layer shapes. A base piece, a decorative shape and a small top detail will be thicker together than any single sheet. That can affect where you sew, how pieces overlap and how the finished work sits.\n\nIf you are adding felt to another item, check the attachment area too. A small accent may need only a few fixing points, while a larger panel needs more thought. Make a simple sample with offcuts before building the final piece.\n\nChoose an assembly method that fits\n\nThese sheets can be cut, folded, glued, sewn and stapled. Having several options is useful, but each method asks something different of the design.\n\nSewing may suit a project where stitches are part of the look. Glue may suit a flat layered arrangement. Staples may work for some display projects, provided their position is appropriate and they will not leave exposed points where people handle the work.\n\nThe maker does not specify a particular glue, needle or stitch setting. Test your own supplies on an offcut. Let adhesives dry according to their instructions before judging the result. If you plan to mix methods, such as gluing pieces in place before sewing, test the whole combination rather than each step alone.\n\nPlan colour use before cutting\n\nAn assorted felt pack is helpful when you want to compare colours side by side. Lay out the sheets and place your paper shapes over them before making any cuts. You may find that a small change in colour placement makes the design easier to read.\n\nFor patchwork craft felt arrangements, decide which pieces should draw attention and which should sit quietly behind them. You do not need to use every colour just because it is in the pack. A limited selection may be enough for one project, leaving the other sheets for later.\n\nSet aside the colour you need for the largest piece first. Small details can often come from offcuts, but a large shape needs an uncut area. This is especially important when each colour is represented by one sheet.\n\nThink about painting and drawing\n\nDrawing and painting are listed uses for the felt. Even so, the maker does not name suitable pens, paints or application methods. A trial piece is the sensible first step.\n\nUse a small offcut in a colour close to the one in your finished design. Check how the mark looks after it has dried, not just while it is fresh. If you are drawing a guide line, place it where it will be hidden or removed by cutting.\n\nFor a project with repeated painted details, finish one sample before marking every piece. That gives you a chance to adjust the design without using up several colours. Keep your workspace protected and follow the instructions supplied with your chosen art materials.\n\nDecide whether it suits the person using it\n\nFelt craft supplies can support simple projects as well as more detailed ones. A beginner might start with a few large shapes and one joining method. Someone with sewing experience may prefer layered details or more involved patterns.\n\nNo age recommendation or safety certification is supplied in the maker's description. The fabric pack alone does not determine whether an activity suits a child. Scissors, needles, adhesives and small cut pieces all need their own care and supervision.\n\nAs a gift, the pack makes most sense for someone who already enjoys working with fabric or has a project in mind. It is not a complete kit. Consider whether the recipient already has the tools and joining supplies they will need.\n\nKeep care needs in the decision\n\nThe listed care instruction is dry clean only. That is worth checking before you spend time making something that will need regular cleaning.\n\nA display decoration has different care demands from an item used and handled every day. If your plan depends on machine washing, the maker's description does not support that use. Choose a fabric with stated care instructions that fit the finished project instead.\n\nAdded parts matter as well. Glue, paint, thread and trims may have their own cleaning limits. Keep a note of what you use so you can check the care needs of the whole item later. Detailed ironing settings are not specified, so do not guess a pressing temperature for the blend.\n\nStore sheets and offcuts with a plan\n\nKeep unused sheets flat, clean and dry. A folder or suitable storage box can help you see what remains without repeatedly unfolding or shifting the fabric.\n\nOffcuts are worth sorting if you make small details. A narrow piece may be enough for a stem or border, while a small square might cover a decorative centre. Keep usable scraps together, but avoid letting tiny leftovers hide the larger pieces you still need.\n\nBefore putting a project away, separate its reserved colours from general supplies. A note with the pattern can prevent a sheet intended for a final detail from being used elsewhere. Good organisation is often more helpful than buying extra fabric without a plan.\n\nCheck the pack before changing it\n\nOn arrival, check the quantity and compare the sheet size with your project needs before cutting or using the felt. This is also the time to decide whether the assortment works for your design.\n\nChange-of-mind returns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nA delivery lead time is not specified by the maker. If you are making something for an event, check the delivery information for your address before ordering and leave time to complete the work.\n\nThe short version\n\nChoose this pack when you want 28 assorted colours for small felt projects. Plan around individual 30 x 20 cm sheets, an approximate thickness of 1.4 mm and dry-clean-only care.\n\nCheck templates, repeated colour needs and your joining method first. With those decisions made, you can use the assortment for shapes, decorations and sewn details without mistaking it for a continuous length of fabric or a complete craft kit.", "llm_summary": "This pack contains 28 felt sheets in 28 assorted colours. Each sheet measures 30 x 20 cm and is approximately 1.4 mm thick. The felt is non-woven, with a solid pattern and an acrylic, rayon and wool blend listed in the product information. Fibre percentages are not specified by the maker. Listed weight is 200 g. Uses include cut-out shapes, decorations, costume details and bulletin board projects. Sheets can be cut, folded, glued, sewn, stapled, painted or drawn on. Care is dry clean only. Exact colour names, country of origin and delivery lead time are not specified. The pack is", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/felt-fabric-sheets-28-piece/", "canonical_url": "https://fabriccompany.net/felt-fabric-sheets-28-piece/", "json_url": "https://fabriccompany.net/api/products/felt-fabric-sheets-28-piece.json", "updated_at": "2026-11-13" }, { "id": "grey-faux-fur-fabric-patch-10-x-20-inch", "sku": "grey-faux-fur-fabric-patch-10-x-20-inch", "title": "Grey Frost Faux Fur Fabric Patch", "slug": "grey-faux-fur-fabric-patch-10-x-20-inch", "price": 47.99, "currency": "CAD", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "47 g", "images": [ "https://fabriccompany.net/dropship-images/craft-fabrics/grey-faux-fur-fabric-patch-10-x-20-inch/main-grey-faux-fur-fabric-patch-10-x-20-inch.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/grey-faux-fur-fabric-patch-10-x-20-inch/grey-faux-fur-fabric-patch-10-x-20-inch-2.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/grey-faux-fur-fabric-patch-10-x-20-inch/grey-faux-fur-fabric-patch-10-x-20-inch-3.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/grey-faux-fur-fabric-patch-10-x-20-inch/grey-faux-fur-fabric-patch-10-x-20-inch-4.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/grey-faux-fur-fabric-patch-10-x-20-inch/grey-faux-fur-fabric-patch-10-x-20-inch-5.jpg" ], "description_short": "This single rectangular patch offers a long pile for small costume details, holiday decorations and other creative projects.", "description": "A small craft can need a lot of texture without needing much fabric. You might be making a costume detail, adding a shaggy edge to a decoration or trying out a new idea. Buying a large length can leave you with more material than you need, but choosing a patch that is too small can stop the project before it starts.\n\nThis faux fur fabric is supplied as one Grey Frost rectangle measuring 25 x 51 cm (10 x 20 in). Its long pile gives it a fluffy surface suited to decorative work. The main buying question is simple: will your design fit, with enough room left for cutting and attachment?\n\nStart with the project, not just the colour\n\nIt is easy to choose craft fabric from a photograph and think about measurements later. With a fixed-size patch, reverse that order. Make a paper template of the part you want to cover, including any edge that will fold under or sit inside a seam.\n\nPlace that template within a 25 x 51 cm rectangle. If your project needs several matching shapes, lay out all of them at once. A shape that fits on its own may leave too little room for the next one.\n\nThink about the finished use as well. A small costume accent has different needs from a decoration that will sit on a shelf. This product gives you craft fabric, not a completed accessory, and your attachment method will be part of the project.\n\nWhat you receive\n\nThe pack contains one piece. It is not a roll, a set of patches or fabric cut to your chosen length. That matters if you are comparing it with description sold by the metre.\n\nThe sold size is 25 x 51 cm (10 x 20 in). The detailed dimension description lists 50.8 x 25.4 cm, which is the same general format with more precise figures. It also includes a separate item-length entry of 50 cm. If your pattern uses nearly every millimetre, allow some margin rather than relying on the rounded size.\n\nThe listed weight is 47 g. No fabric weight per square metre is provided, so there is no basis for comparing its density with another fabric from that figure alone.\n\nUnderstand the long pile\n\nThe pile is the raised fibre surface that gives faux fur its look. Here, the listed pile length is 2.5 to 3.15 inches. That is an important feature when planning a shaggy detail, because the fibres can extend beyond the backing edge.\n\nLong pile can also hide the outline of a small shape. A narrow point or tiny curve may look less defined once the fibres fall over it. Before committing to a detailed design, consider whether you want a clear silhouette or a looser, furry finish.\n\nThe dimension description includes a height of 0.03 cm. It does not explain how that figure was measured, and it should not be treated as the visible pile depth. Use the separately stated pile length when deciding whether the surface suits your idea.\n\nMaterial and colour\n\nThe fabric is listed as 80% acrylic and 20% polyester. It is a synthetic faux fur with a pile construction and a solid pattern. The colour name is Grey Frost.\n\nColour names are useful for choosing a general look, but they are not a promise of an exact match to materials you already own. Look at the piece beside your other fabrics in the light where the finished item will be seen.\n\nThis is especially helpful for a grey fur decoration placed beside white, silver or another grey. Small differences may matter more when similar shades touch. Check the combination before cutting, while you can still change your plan.\n\nProjects that make sense for a small patch\n\nCostume details and holiday decorations are suggested uses for this fabric. The limited piece size makes it worth thinking in terms of accents rather than large areas of coverage.\n\nPossible ideas include a decorative beard, a furry panel or a short length of trim. These are project suggestions, not included patterns. The amount you can make depends on the shape, the direction of the pile and the room needed to attach each part.\n\nIf you are considering gnome beard fabric, draw the full beard shape first. Include the section that will be hidden under a hat or another part of the decoration. That hidden area still uses fabric and should be part of your layout.\n\nFor costume fur fabric, check movement and attachment needs too. A piece that looks right while laid flat may need a different shape once it wraps around a curved surface.\n\nLet the pile direction guide your layout\n\nBefore cutting, gently move your hand across the surface and look at how the fibres lie. Turn the patch around and compare the effect. Choose the direction that suits the finished design.\n\nMark a direction arrow on each paper template. This helps you avoid turning one piece sideways just to squeeze it into a gap. Saving a little fabric is less useful if a pair of matching details ends up looking different.\n\nFor faux fur trim, decide whether all strips need the pile running the same way. If they do, the usable layout may be more limited than the rectangle first suggests. Work out that arrangement before making the first cut.\n\nCutting and attaching with care\n\nPlan cuts on the reverse, where the backing is easier to see. Keep your template steady and work slowly. Try your cutting method on a small spare area if your layout leaves one.\n\nThe maker does not specify backing stretch, sewing settings or adhesive compatibility. Those are details to test rather than guess. A small trial can show whether your planned seam or glue line gives the finish you want.\n\nIf sewing, keep long fibres clear of the working area as much as practical. If gluing, check an offcut for marks and unwanted stiffness before using adhesive on the main piece. Follow the instructions for your chosen tools and adhesive.\n\nYou will also need to decide how the reverse and edges will be hidden or finished. No backing cover, lining or attachment supplies are listed as included.\n\nKnow what the maker does not establish\n\nSoft craft fabric is not automatically suitable for every soft object. The maker does not provide toy safety testing, an age rating or a stated country of origin.\n\nDo not treat the patch as a tested children's toy material or a finished floor covering. It is sold here as a craft fur patch. Claims about grip, fire performance or suitability for foot traffic are not established by the supplied specifications.\n\nThe same care applies to durability. There is no measured shedding rate, abrasion result or stated backing strength. If your project will face frequent handling, test the fabric and your attachment method before putting time into the full design.\n\nCleaning without unnecessary risk\n\nThe care details specify hand washing only, with water below 30°C. Machine washing is not recommended. Choose a gentle approach rather than treating it like an ordinary load of clothing.\n\nAvoid high heat. The maker does not give ironing or tumble-drying instructions, so do not assume those methods are suitable. Let the fabric dry fully before putting it away.\n\nCleaning a finished craft may be harder than cleaning loose fabric. Glue, lining and other decorations can have different care needs. Consider that before assembly, especially if you expect the finished item to need washing.\n\nThere is also a practical reason to wait before cleaning a new piece. The return conditions require it to be unwashed, so inspect it first and decide whether it suits your project.\n\nKeep useful offcuts\n\nReusable is a listed feature, but cutting and attachment affect what can be used again. A loose piece may be easy to save, while a glued section may not come away in a useful form.\n\nKeep offcuts that are large enough for another detail. A narrow scrap might still work for a small decorative accent, depending on the pile direction and shape.\n\nStore spare fluffy craft fabric fully dry and avoid placing heavy objects on it. A simple labelled bag or storage box can help you remember the material and care instructions. Keep those notes with any pieces you pass on to another crafter.\n\nCheck delivery and returns before starting\n\nThe maker does not state a delivery lead time, so check the delivery information available for your address before planning a time-sensitive project.\n\nWhen the fabric arrives, inspect it before washing, cutting or using it. Compare its size and appearance with your template and the other materials in your project. Keep the original packaging while you decide.\n\nReturns are available within 14 days of delivery when the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nChoose this grey faux fur when you need one small, long-pile piece for a costume detail or decorative craft. You receive one 25 x 51 cm (10 x 20 in) rectangle, with an acrylic and polyester composition and hand-wash care.\n\nMeasure the whole pattern, allow for attachment and check pile direction before cutting. If those details fit your plan, this patch offers a clear starting point for a small, texture-focused project.", "llm_summary": "This product is one rectangular Grey Frost faux fur fabric patch sold as 25 x 51 cm (10 x 20 in). The detailed dimension description lists 50.8 x 25.4 x 0.03 cm, and the weight is 47 g. The fabric is described as 80% acrylic and 20% polyester, with a pile length of 2.5 to 3.15 inches. It has a solid pattern, pile construction and a reusable format. Suggested uses include costume details and holiday decorations. Hand washing is specified. Country of origin and delivery lead time are not specified by the maker. Returns are accepted within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. The customer pays return postage unless goods are faulty or wrongly described.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/grey-faux-fur-fabric-patch-10-x-20-inch/", "canonical_url": "https://fabriccompany.net/grey-faux-fur-fabric-patch-10-x-20-inch/", "json_url": "https://fabriccompany.net/api/products/grey-faux-fur-fabric-patch-10-x-20-inch.json", "updated_at": "2026-11-13" }, { "id": "natural-burlap-fabric-roll-40-inch-x-15-feet", "sku": "natural-burlap-fabric-roll-40-inch-x-15-feet", "title": "Natural Jute Burlap Fabric Roll", "slug": "natural-burlap-fabric-roll-40-inch-x-15-feet", "price": 51.99, "currency": "CAD", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "939 g", "images": [ "https://fabriccompany.net/dropship-images/craft-fabrics/natural-burlap-fabric-roll-40-inch-x-15-feet/main-natural-burlap-fabric-roll-40-inch-x-15-feet.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/natural-burlap-fabric-roll-40-inch-x-15-feet/natural-burlap-fabric-roll-40-inch-x-15-feet-10.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/natural-burlap-fabric-roll-40-inch-x-15-feet/natural-burlap-fabric-roll-40-inch-x-15-feet-3.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/natural-burlap-fabric-roll-40-inch-x-15-feet/natural-burlap-fabric-roll-40-inch-x-15-feet-4.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/natural-burlap-fabric-roll-40-inch-x-15-feet/natural-burlap-fabric-roll-40-inch-x-15-feet-5.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/natural-burlap-fabric-roll-40-inch-x-15-feet/natural-burlap-fabric-roll-40-inch-x-15-feet-6.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/natural-burlap-fabric-roll-40-inch-x-15-feet/natural-burlap-fabric-roll-40-inch-x-15-feet-8.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/natural-burlap-fabric-roll-40-inch-x-15-feet/natural-burlap-fabric-roll-40-inch-x-15-feet-9.jpg" ], "description_short": "One wide roll of natural jute gives you room to plan handmade decorations, garden projects and personal gift wrapping.", "description": "When small craft pieces are not enough\n\nA packet of small fabric squares can be useful until your project needs a long runner, several matching wraps or a larger piece of cloth. Joining scraps adds work and may change the look you had in mind. A burlap fabric roll lets you start with a wider surface and decide how to divide it.\n\nThis product contains one roll, 102 cm (40 in) wide and 4.57 m (15 ft) long. It is natural jute burlap with a plain weave and a solid natural colour. Those are the main details to build your plan around.\n\nThe appeal is simple. You get raw fabric rather than a finished decoration, so the shape and finish are up to you. That freedom is useful, but it also means measuring, cutting and edge treatment belong in your project plan.\n\nWhat jute hessian fabric brings to a project\n\nBurlap and hessian are common names for this kind of textured woven cloth. Here, the listed material is jute. Its natural colour and visible weave lend themselves to rustic styling without needing a printed pattern.\n\nThink of it as a base material. A strip can become part of a table setting, while a smaller piece might become gift wrapping or a wreath detail. The roll does not come as finished runners, bags or ready-to-use covers.\n\nThe maker gives the weave type, but not its density or thickness. If your design depends on an exact level of coverage, inspect the cloth before cutting. A photo alone cannot tell you whether it will meet a detailed sewing or display requirement.\n\nCheck the size against the finished piece\n\nStart by measuring what you want to make, not just the surface it will cover. A runner may need overhang. A folded wrap needs enough cloth to go around the object. A sewn piece needs an allowance beyond its finished size.\n\nDraw those pieces on paper within a rectangle representing the roll. Keep the width and length clearly marked so you do not accidentally plan a piece in the wrong direction. This matters when several larger cuts must share the same supply.\n\nDo not base your order on a hoped-for number of finished items. That number depends on their dimensions and how you arrange them. A careful layout gives you a much better answer than a general estimate.\n\nThis is a fixed-size roll. It is not a service where fabric is cut to your requested measurements before dispatch.\n\nPlanning rustic table decorations\n\nRustic table runner fabric works well as a starting point when you want visible texture in a table display. Before choosing a runner width, lay paper or spare cloth on the table. This helps you judge the proportions without cutting into your new roll.\n\nConsider what will sit on top. Flowers, place settings and other decorations can make a narrow runner feel crowded. A wider strip may suit the layout better, but it also uses more of the roll.\n\nFor burlap wedding decor, make a sample setting before planning every table. Check the cloth beside your other colours in the actual lighting if possible. Natural colour is the description supplied here, not a precise shade reference.\n\nNo heat-resistance or food-contact rating is stated. Use suitable protective items where hot dishes, spills or direct food contact are part of the setting.\n\nGift wrapping and smaller craft ideas\n\nJute gift wrapping lets you make the wrapping part of the gift rather than treating it as an afterthought. Start with a paper template around the item. Once the folds work, use that shape to plan your fabric cut.\n\nSmall projects are useful companions to larger ones. Offcuts from a runner may work for decorative tags, ties or accents. Keep them until the main project is complete instead of deciding too early that they are waste.\n\nBurlap wreath material can also come from narrower strips, depending on the design. Plan how you will attach each piece before cutting. A loose decorative wrap and a sewn shape need different allowances.\n\nIf you are making natural fabric gift wrap for several presents, group similar sizes together in your layout. You may find a better fit across the width that way.\n\nUsing burlap in the garden\n\nThe listed uses include gardening and landscaping, as well as indoor crafts. Hessian garden fabric may be considered for plant wrapping or other tasks where a piece of jute cloth suits the job.\n\nBe clear about the job you need it to do. The maker does not provide a frost rating, shade percentage or outdoor service life. It should not be treated as a tested substitute for a cover with a specific performance rating.\n\nFor plant wrapping, take the plant's needs and local conditions into account. Ask a garden specialist if you are unsure how much coverage is appropriate or how it should be secured.\n\nOutdoor use also calls for regular checks. Look at the condition of the cloth and the plant rather than putting it in place and forgetting it. A general garden-use description is not a promise of protection in every season.\n\nChoose texture with the end use in mind\n\nNatural jute cloth suits projects where a rustic surface is part of the design. It is worth pausing if you need a smooth finish, exact colour matching or a tightly specified fabric weight.\n\nThe roll has a listed item weight of 939 g. That does not give you a stated fabric weight per square metre, and it does not replace details such as thickness or weave density. Those figures are not given by the maker by the maker.\n\nFor a display, a sample arrangement may answer your questions. For a technical sewing project, missing specifications may matter more. Decide which details are essential before buying, rather than trying to work around them after cutting.\n\nThe same applies to specialist uses. Waterproofing, flame resistance and safety certifications are not stated by the maker.\n\nPrepare before the first cut\n\nWhen the fabric arrives, check the roll while it is still uncut and unused. Keep the original packaging until you have made that decision.\n\nSet aside a clean work area large enough to support the cloth. Recheck your layout against the actual roll before marking your first piece. It is easier to correct a paper plan than to replace a section cut too small.\n\nThink about your chosen edge finish at this stage. If you intend to fold or sew an edge, include that allowance in the cut size. If the design leaves edges visible, try the look on a small project piece first.\n\nFor a dated event, leave time for this preparation. Delivery is only one part of the schedule. Measuring, making samples and assembling decorations can take longer than expected.\n\nCare without guesswork\n\nThe supplied care guidance says to air out the fabric or soak it in white vinegar. It does not give a vinegar dilution, soaking time or machine-washing programme.\n\nAiring the cloth in a well-ventilated area is a simple place to start. If you are considering a wet treatment, ask for more detailed guidance before treating the whole roll. Test on an offcut rather than on a finished decoration.\n\nDo not assume that a general care suggestion guarantees the same result for every finished project. Added ribbon, glue, stitching or other materials may need different care.\n\nLet the cloth dry fully before putting it away. Store remaining fabric in a dry place, with useful scraps kept together for later work.\n\nBiodegradability and practical expectations\n\nBiodegradable is a listed feature of this burlap. The maker does not state a breakdown time or the conditions needed for that process. It also does not provide an environmental certification.\n\nThat distinction matters when comparing materials. A biodegradable description does not tell you exactly how long the fabric will last outdoors or how it should be handled by your local waste service.\n\nYou can still make careful use of what you buy. Plan cuts before starting, save usable offcuts and avoid making more decorations than you need. If a finished piece remains in good condition, consider whether it can serve another project before discarding it.\n\nDelivery, returns and your final check\n\nNo delivery lead time is given in the maker's description. Check the current delivery information for your address before ordering, especially for a wedding, party or seasonal garden task.\n\nIf the fabric is not suitable, returns are available within 14 days of delivery. It must be unwashed, uncut, unused and in its original packaging. Return postage is paid by the customer.\n\nFaulty or wrongly described goods are put right free of charge. Contact us if that happens, rather than trying to fix the issue by cutting or treating the cloth.\n\nThese conditions make an early check worthwhile. Assess the fabric before starting work, not after the first finished piece.\n\nThe short version\n\nChoose this natural burlap roll when you want one broad piece of jute fabric for rustic crafts, gift wrapping, event styling or a suitable garden project. You receive one roll measuring 102 cm (40 in) wide and 4.57 m (15 ft) long.\n\nMeasure first, plan your cuts and check the cloth before use. If your project needs a precise performance rating or a specification not listed here, ask before ordering.", "llm_summary": "This product is one roll of natural jute burlap fabric measuring 102 cm (40 in) wide and 4.57 m (15 ft) long. It has a plain weave, a solid pattern and a listed weight of 939 g. Suggested uses include crafts, rustic event decorations, gift wrapping, gardening and landscaping. The fabric is listed as biodegradable. Its country of origin, weave density, thickness and outdoor service life are not specified by the maker. Care guidance mentions airing out or soaking in white vinegar, without a stated dilution or duration. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with customer-paid return postage.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/natural-burlap-fabric-roll-40-inch-x-15-feet/", "canonical_url": "https://fabriccompany.net/natural-burlap-fabric-roll-40-inch-x-15-feet/", "json_url": "https://fabriccompany.net/api/products/natural-burlap-fabric-roll-40-inch-x-15-feet.json", "updated_at": "2026-11-13" }, { "id": "white-aida-cloth-18-count", "sku": "white-aida-cloth-18-count", "title": "White 18 Count Aida Cloth", "slug": "white-aida-cloth-18-count", "price": 78.99, "currency": "CAD", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "349 g", "images": [ "https://fabriccompany.net/dropship-images/craft-fabrics/white-aida-cloth-18-count/main-white-aida-cloth-18-count.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-2.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-3.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-4.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-5.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-6.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-7.jpg" ], "description_short": "One large piece of 18 count aida gives you room to plan your design and cut the fabric to suit your project.", "description": "Start with the fabric your design needs\n\nA cross stitch project can take hours of careful work. A little planning before you cut gives that work a better starting point.\n\nThis white aida cloth is supplied as one piece measuring 99 x 150 cm (39 x 60 in). It has an 18 count grid and is listed as cotton. You choose how to lay out your design and where to cut, rather than ordering a custom length.\n\nThe main decision is whether that count and piece size suit your chart. Think about the stitched area first, then the space you need around it. The fabric has to hold both.\n\nUnderstand what 18 count changes\n\nAida has a grid that helps you place and count stitches. The count tells you how many squares fit into an inch. With one full cross worked over each square, 18 count aida holds 18 crosses per inch.\n\nA higher count makes the same counted design smaller than it would be on a lower-count fabric. It also makes the squares smaller to see and work through. That may suit a detailed picture, but it is worth considering your comfort during longer stitching sessions.\n\nThe chart still tells you where each stitch goes. The fabric count changes the scale, not the arrangement of those stitches. If your pattern recommends another count, do not carry its finished measurements across without checking them.\n\nFor a standard full-cross design, divide the chart's width in stitches by 18. Do the same for its height. The results give you the stitched size in inches, before any margins.\n\nCheck the whole layout before cutting\n\nThe supplied piece is 99 x 150 cm (39 x 60 in). That gives you a large area to plan with, but the full piece size is not the same as the largest practical stitched design. You still need fabric outside the stitched area.\n\nThose edges help you hold the work while sewing. They may also be needed for mounting, framing or another finish. A picture intended for a frame can need a different allowance from a small sewn item.\n\nWrite down your chart dimensions and intended margins before reaching for scissors. If you plan to divide the piece, draw a simple layout on paper. Include the borders around every project, not just the stitched centres.\n\nTurn the paper layouts around if that helps them fit, while checking any direction requirements in your pattern. Leave yourself time to measure twice. Once the fabric is cut, its options become more limited, and it no longer meets the change-of-mind return conditions.\n\nDecide whether the grid suits your eyes and hands\n\nChoosing cross stitch fabric is partly about the finished picture and partly about how you like to work. An 18 count grid can suit stitchers who enjoy smaller stitches. It may feel less comfortable if you prefer larger, easier-to-see holes.\n\nIf you already stitch on 18 count, this is a familiar count to plan around. If you are new to it, compare a sample of the count with one you know before committing to a long project.\n\nGood task lighting can make counting easier. Some stitchers also prefer magnification for smaller grids. These are working choices rather than features supplied with the cloth.\n\nThere is no single count that suits everyone. A fabric that lets you see the holes clearly and keep a steady rhythm is more useful than one chosen only for a smaller finished size.\n\nChoose white for the design, not by habit\n\nA solid white background is a straightforward choice for many patterns. It leaves the stitched colours to form the picture and works as an unprinted base for your own layout.\n\nStill, look at the unstitched areas of your design before choosing white embroidery fabric. In some patterns, those spaces are part of the picture. In others, most of the background is covered.\n\nPale threads may appear subtle against white, while darker threads can stand out more. Check the pattern's fabric recommendation and think about the look you want.\n\nThis is a solid white piece, not a printed or pre-marked project. You will need to follow a separate chart or create your own design. If you want a picture already marked onto the cloth, this is a different type of starting point.\n\nPlan one large project or several smaller ones\n\nOne large piece gives you a choice about how to use it. You might keep it whole for a larger sampler or divide it for smaller designs, provided the measurements work.\n\nAida fabric for samplers needs careful planning around lettering, borders and open spaces. Count the complete chart, not just its central motif. An outer border can add more width and height than you first expect.\n\nFor several small projects, compare the whole cutting plan before starting any of them. A narrow leftover strip may look useful but still be too small once handling margins are included.\n\nKeep usable offcuts for testing thread coverage, wash methods or machine settings. A test piece can help answer practical questions without putting the main project at risk. The store supplies a fixed-size piece; any dividing or trimming is done by you.\n\nMatch the rest of your supplies\n\nThis is fabric rather than a complete embroidery kit. Thread, needles, charts and hoops are not listed as included, so check your supplies before you begin.\n\nUse your pattern as the starting point for thread type and strand count. If the pattern was written for a different fabric count, test the coverage before stitching a large area. The look of a cross can change with the amount and type of thread.\n\nChoose a needle that works with your thread and the fabric holes. The maker does not give a needle size, so avoid treating any one size as a supplied requirement.\n\nA hoop or frame can help you handle the work. Keep the tension even rather than pulling the cloth out of shape. If counting starts to drift, stop and check the grid before adding more stitches.\n\nConsider other embroidery uses carefully\n\nCross stitch is not the only use named by the maker. DIY embroidery and machine embroidery are also suggested. That does not mean every technique or machine setup will work without testing.\n\nFor hand embroidery, consider how the aida grid will affect stitch placement and the look of open areas. A pattern designed for a smooth, tightly woven fabric may look different on this counted base.\n\nFor machine embroidery fabric, the design, stabiliser and machine setup all matter. The maker does not state settings or stabiliser requirements for this piece. Test on a spare section and follow the guidance for your machine and embroidery design.\n\nTreat the listed uses as starting points for project planning, rather than a promise about a particular result.\n\nRead the care details before washing\n\nThe product details list machine washing. They do not give a temperature, cycle, drying method or shrinkage figure. A cotton description alone does not answer those questions.\n\nFinished embroidery also includes more than fabric. Your threads, trims or other additions may need gentler care. Check their instructions before deciding how to wash the completed piece.\n\nIf you want to wash before stitching, consider testing a spare section first. Measure it before and after your chosen method if size matters to your plan. Do not assume that the main piece has already been prewashed.\n\nKeep unused cloth clean and dry while you work. Protecting the white surface from marks is easier than trying to remove them later. Store spare fabric away from dust and direct sunlight.\n\nBuying for someone else or for a deadline\n\nEmbroidery fabric can make a useful gift when you know what the recipient likes to stitch. The key detail is their preferred count. Someone who usually uses a larger grid may not want 18 count, even if they enjoy cross stitch.\n\nAsk about the pattern they have in mind if you can. That helps you check both the fabric count and the amount needed. Remember that this piece does not come with a chart or stitching tools.\n\nFor a deadline, check delivery information before ordering. A lead time is not specified by the maker, so leave room in your plans rather than assuming an arrival date.\n\nInspect the piece on delivery before washing, cutting or using it. That keeps your options open if it does not suit the intended project.\n\nThe short version\n\nChoose this cloth if you want one piece of solid white, cotton 18 count aida measuring 99 x 150 cm (39 x 60 in). Check your chart's stitched size, add finishing margins and plan every cut before starting.\n\nFor a change-of-mind return, the fabric must be unwashed, uncut, unused and in its original packaging, with the return requested within 14 days of delivery. You pay the return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe useful first step is simple. Confirm that you want an 18 count grid, then make sure your full project layout fits.", "llm_summary": "This product is one piece of white 18 count aida cloth measuring 99 x 150 cm (39 x 60 in). The product details list cotton material, a plain weave, a solid pattern and a weight of 349 g. Suggested uses include counted cross stitch, DIY embroidery and machine embroidery. The fabric can be cut by Machine washing is listed, but wash temperature, cycle and shrinkage are not specified by the maker. Country of origin is not specified. Returns are accepted within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with return postage paid by the customer.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/white-aida-cloth-18-count/", "canonical_url": "https://fabriccompany.net/white-aida-cloth-18-count/", "json_url": "https://fabriccompany.net/api/products/white-aida-cloth-18-count.json", "updated_at": "2026-11-13" }, { "id": "white-linen-needlework-fabric-20-x-62-inch", "sku": "white-linen-needlework-fabric-20-x-62-inch", "title": "Bright White Linen Needlework Fabric", "slug": "white-linen-needlework-fabric-20-x-62-inch", "price": 39.99, "currency": "CAD", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "168 g", "images": [ "https://fabriccompany.net/dropship-images/craft-fabrics/white-linen-needlework-fabric-20-x-62-inch/main-white-linen-needlework-fabric-20-x-62-inch.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-linen-needlework-fabric-20-x-62-inch/white-linen-needlework-fabric-20-x-62-inch-2.jpg" ], "description_short": "A single precut piece offers a plain background for embroidery and planned fabric projects.", "description": "Choosing cloth for needlework can feel simple until you look at a pattern's requirements. A fabric may have the colour you want but lack the thread-count details your design needs. Or the piece may fit the stitched area while leaving too little space for a hoop, seams, or a frame.\n\nThis linen needlework fabric is one bright white precut piece measuring 51 x 157 cm (20 x 62 in). It has a solid pattern and a plain weave. Those details give you a useful starting point, but choosing well also means checking what is not stated.\n\nThis guide explains how to assess the cut, plan a project, and handle the cloth without assuming details the maker has not supplied.\n\nStart with the project, not just the colour\n\nBefore buying white embroidery fabric, decide what the finished object needs to do. A framed stitched picture has different care needs from a table item that may collect spills. A freehand design also asks different things of the weave than a counted pattern.\n\nWrite down your design's finished size and any fabric requirements. Include the space needed around the stitching, not just the stitched area itself. If the instructions specify an exact fabric count, that is an important part of the choice.\n\nThis cloth has no stated thread count. It should not be treated as a direct replacement for a named counted fabric without checking first. For a design that does not depend on counting threads, your main questions may instead concern size, surface, and care.\n\nKnow exactly what the precut includes\n\nThe product is one piece, not a roll or a bundle. Its stated cut size is 51 x 157 cm (20 x 62 in).\n\nThe long, narrow shape matters. A large design might fit along the length but still be too wide once you add finishing space. Turning a pattern sideways only helps if both its full dimensions fit.\n\nMake a paper layout before ordering. Draw the fabric rectangle, then mark each planned piece at its full cutting size. This simple step can prevent buying enough fabric by area but too little in the direction that matters.\n\nWhat plain weave tells you\n\nPlain weave describes how the threads cross to form the cloth. It is useful information, but it does not tell you everything about the stitching surface.\n\nIn particular, plain weave fabric is not automatically evenweave fabric. A counted design may rely on equal spacing in both directions. Without a thread count or a clear statement about that spacing, you cannot calculate a reliable finished design size from the maker's description alone.\n\nFor decorative stitching fabric, think about the effect you want and the demands of your chosen technique. If you need a very specific structure, ask for that detail before buying. A general needlework description is not a substitute for a pattern's technical requirements.\n\nRead the material details carefully\n\nThe material entry describes this product as linen. A separate fabric-type entry names hemp, jute, and linen. The maker does not state fibre percentages, so the maker does not establish a pure linen composition or a particular blend.\n\nThat distinction matters if you are choosing linen cloth for its exact fibre content. Do not assume a percentage from the product name. If composition is a firm requirement for your project, get confirmation before making your choice.\n\nThe listed item weight is 168 g. This is not a stated fabric weight per square metre. It also does not establish thickness, stiffness, or how easily a needle will pass through the cloth. Those details need their own evidence.\n\nChoose a bright white background with purpose\n\nBright white linen offers a plain starting point for a design. With no printed pattern to work around, you can decide where the stitching belongs and how much background remains visible.\n\nThink about your thread colours before settling on the cloth. Hold your choices against a white sample or another white surface to get an initial sense of contrast. This will not prove an exact colour match, but it can help you judge whether the overall idea works.\n\nThe listed colour is bright white, not a choice of white shades. If matching existing cloth is important, avoid relying on a screen image alone. Check the received piece before altering it, especially when it will sit beside another fabric.\n\nLeave space for working and finishing\n\nThe stitched design is only part of the space a project uses. A hoop needs cloth beyond the design, and a finished object may need a hem, seam allowance, or mounting margin.\n\nStart with the full finished layout and work outward. For a framed piece, use the mounting requirements supplied by your framer or chosen method. For a sewn item, follow the pattern's cutting dimensions rather than its final measurements.\n\nIf you plan several small DIY fabric projects, draw all of them before making the first cut. Put awkward shapes on the plan too. Small leftover sections can be useful for trials, but do not count on offcuts until the main pieces have enough space.\n\nDecide whether it suits your stitching method\n\nHand embroidery fabric needs to work with the chosen needle, thread, and stitch style. A trial in a spare section can show how that combination behaves before you begin the main design.\n\nRemember that stitching makes the cloth used for return purposes. Inspect it and decide whether to keep it before testing. Once that decision is made, a small sample is a sensible way to explore a technique without risking the centre of the piece.\n\nFor machine embroidery, compatibility is not stated. Follow your machine and design guidance when choosing a needle and backing, then test.\n\nThink about the finished item's care\n\nThe stated instruction is dry clean only. That should influence the project from the start, not become a surprise when the work is finished.\n\nA decorative piece that rarely needs cleaning may suit that care plan better than something intended for frequent washing. If you are considering a cushion cover or table decoration, think honestly about how it will be used. Food spills, pets, and daily handling can change what feels practical.\n\nAdded threads, trims, and backings also have their own care needs. Choose them with the finished item in mind, and tell your cleaner what you have used. The cloth's care instruction does not establish how every added material will respond.\n\nAvoid guessing about washing and pressing\n\nSome sewing advice recommends washing fabric before cutting. Do not apply that advice automatically here. Dry clean only is the instruction supplied for this cloth.\n\nThe maker does not state a washing method, shrinkage result, or ironing temperature. It would be a guess to promise that the piece can be washed gently or pressed on a particular setting.\n\nIf fold marks affect your layout, ask a cleaner for advice before treating them. Keep the cloth away from marking products you have not tested. A transfer method that works on another fabric may still need checking on this one.\n\nInspect before committing\n\nWhen the piece arrives, open it carefully and keep the packaging. Check the colour, measure the cloth, and look over the surface before cutting or stitching.\n\nCompare it with your planned layout while it is still unused. This is the time to find out whether a border needs more space or whether the colour works beside your other materials. Do not rush into trimming simply because the design area appears to fit.\n\nIf you decide it is unsuitable, returns are available within 14 days of delivery for fabric that is unwashed, uncut, unused, and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nBuying it as a gift\n\nPrecut linen fabric can be a thoughtful supply for someone who likes planning their own needlework. It is more useful when the recipient knows what they are receiving.\n\nPass on the size and dry-clean-only instruction. Avoid promising that it suits a particular counted pattern unless its requirements have been checked. No thread, needles, hoop, or pattern are specified as part of this product.\n\nIf the person has a planned project, asking about the required cloth may be wiser than guessing. Fabric preferences often come down to details that are not visible in a product photo.\n\nThe short version\n\nChoose this piece if you want one bright white, plain-weave needlework cloth in a fixed 51 x 157 cm (20 x 62 in) cut, and dry-clean-only care fits your plans.\n\nCheck your complete layout before buying. Confirm any required thread count or fibre percentage, because those details are not stated. Once it arrives, inspect it before making changes. A little planning at the start leaves more room to enjoy the stitching.", "llm_summary": "This product is one piece of bright white linen needlework fabric measuring 51 x 157 cm (20 x 62 in). It is supplied as a fixed precut, with a solid pattern and plain weave. The listed item weight is 168 g. The material entry says linen, while a separate fabric-type entry names hemp, jute, and linen. Exact fibre percentages, thread count, and fabric weight per square metre are not specified by the maker. Care is dry clean only. Returns are available within 14 days of delivery for fabric that is unwashed, uncut, unused, and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/white-linen-needlework-fabric-20-x-62-inch/", "canonical_url": "https://fabriccompany.net/white-linen-needlework-fabric-20-x-62-inch/", "json_url": "https://fabriccompany.net/api/products/white-linen-needlework-fabric-20-x-62-inch.json", "updated_at": "2026-11-13" }, { "id": "white-tulle-spool-15cm-x-100-yards", "sku": "white-tulle-spool-15cm-x-100-yards", "title": "White Tulle Spool 15 cm x 100 Yards", "slug": "white-tulle-spool-15cm-x-100-yards", "price": 47.99, "currency": "CAD", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "120 g", "images": [ "https://fabriccompany.net/dropship-images/craft-fabrics/white-tulle-spool-15cm-x-100-yards/main-white-tulle-spool-15cm-x-100-yards.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-tulle-spool-15cm-x-100-yards/white-tulle-spool-15cm-x-100-yards-2.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-tulle-spool-15cm-x-100-yards/white-tulle-spool-15cm-x-100-yards-3.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-tulle-spool-15cm-x-100-yards/white-tulle-spool-15cm-x-100-yards-4.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-tulle-spool-15cm-x-100-yards/white-tulle-spool-15cm-x-100-yards-5.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-tulle-spool-15cm-x-100-yards/white-tulle-spool-15cm-x-100-yards-6.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-tulle-spool-15cm-x-100-yards/white-tulle-spool-15cm-x-100-yards-7.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-tulle-spool-15cm-x-100-yards/white-tulle-spool-15cm-x-100-yards-8.jpg", "https://fabriccompany.net/dropship-images/craft-fabrics/white-tulle-spool-15cm-x-100-yards/white-tulle-spool-15cm-x-100-yards-9.jpg" ], "description_short": "A 15 cm wide spool gives you 100 yards of fine mesh for bows, gift wrapping and occasion crafts.", "description": "Small details need the right fabric format\n\nA bow that looks simple in a photo can take more fabric than you expect. Long tails, full loops and a secure tie all use up length. When you are making several matching decorations, it helps to start with a fabric format that fits the job.\n\nThis tulle fabric roll is one spool of white mesh, 15 cm wide and 100 yards long, approximately 91 m. It is intended for craft work and decorative uses such as chair bows, gift wrapping and wedding favours. You cut the pieces yourself.\n\nThe main buying question is whether that narrow width suits your design. A long spool can supply many separate lengths, but it does not give you a wide sheet. Checking that difference early can save a lot of redesigning later.\n\nWhat the spool gives you\n\nThe fabric is listed as 100% polyester with a fine mesh structure. The product details also name a leno weave and a floral pattern. They do not give a mesh opening size, stiffness rating or stretch measurement.\n\nThose missing details matter if your project needs a very particular finish. A bow with upright loops may call for a different feel from a loose fabric accent. Do not assume this tulle will hold a certain shape simply because another roll you have used did.\n\nThe stated weight is 120 g. This is not a fabric weight per square metre, so it should not be used to compare fabric density with dressmaking materials sold by that measure.\n\nUse the supplied measurements as your starting point. Then judge the look and feel of the uncut fabric before moving on to a full set of decorations.\n\nHow tulle works in a decoration\n\nTulle is a mesh fabric, so the way you arrange it becomes part of the design. A single layer and a gathered section will not look the same. Folding, looping and layering change how much fabric sits in one place.\n\nFor a bow, the length must cover the loops, the centre tie and the tails. For a favour wrap, it must reach around the item with enough left to close the top. A flat trim may need much less allowance than either of these.\n\nThis is why a test piece is more useful than a rough guess. Arrange one example in the way you intend to use it. Look at it against the actual chair, gift box or table setting, rather than judging the fabric on its spool.\n\nWho this narrow roll suits\n\nA narrow tulle roll makes sense for someone working on repeated small details. You might be preparing wedding favour wrapping, adding bows to chairs or finishing gift packages. The 15 cm width gives each piece a defined starting size.\n\nIt also suits craft projects where you want to cut separate strips without first dividing a broad fabric panel. Tulle sewing trim is another listed use, though the right attachment method will depend on your project.\n\nIt is less straightforward for anything that needs a broad, continuous surface. If your sketch calls for a wide table covering or a full fabric backdrop, consider how narrow strips would fit into that plan. Length alone does not solve a width mismatch.\n\nChoosing tulle for chair bows\n\nStart with the chair, not with a standard bow estimate found elsewhere.\n\nMeasure the route the fabric will take around the chair. Add enough length for the bow you want, including its tails. If you intend to use several layers, include each one in your calculation.\n\nMake one sample and view it from a few steps away. This helps you decide whether the proportions work. A small bow can look quite different once it sits in a large room.\n\nCheck with the venue before fitting decorations. Ask where you may attach them and whether any fastenings are restricted. Keep the fabric clear of walking routes and moving parts of chairs.\n\nPlanning favour wraps and gifts\n\nFor tulle gift wrapping, begin with the finished gift rather than the empty packaging. Measure it with its contents in place, since a filled bag or box may need more room than expected.\n\nTry a paper mock-up at the same 15 cm width before cutting fabric. This is a useful way to see whether the material will reach around the item. It also makes a width problem clear without using your tulle.\n\nOnce you are ready to test the actual fabric, make one complete wrap. Include any ribbon or other closure you plan to use. The length needed for a tidy finish can be greater than the length needed simply to cover the object.\n\nThis fabric is listed for decorative wrapping. The maker does not state that it is suitable for direct food contact, so keep edible favours in their own suitable packaging.\n\nWorking out how much you need\n\nThe most reliable estimate comes from a finished sample. Measure the cut length used for that sample, then multiply it by the number of pieces you need.\n\nFor example, a project using one metre per decoration would use one metre for each finished piece before any extra allowance. A design using two metres per piece would use twice as much. These are planning examples, not promised yields from this spool.\n\nAllow for trial pieces, cutting errors and changes to the design. You may also want spare decorations for replacements or last-minute additions.\n\nKeep your units consistent. Choose one unit for your cutting list and write down each measurement clearly before you start.\n\nCheck the appearance before cutting\n\nWhite tulle can sit beside many other materials, but the maker does not provide a precise white shade reference. If you need a close match to table linen, ribbon or clothing, compare them together.\n\nUse the lighting that is closest to your event setting where possible. Also look at the fabric against its intended background. Mesh allows the surface behind it to affect what you see.\n\nThe listed floral pattern is another detail to check in the product images and on arrival. Its scale is not specified by the maker. If your design depends on a plain appearance or a particular motif size, resolve that question before cutting.\n\nKeep the packaging while you make these checks. Once the fabric is cut or used, it no longer meets the stated change-of-mind return conditions.\n\nCutting and assembling your pieces\n\nWork on a clean, flat surface with enough room to lay out your measured length. Keep the mesh relaxed rather than pulling it tight. Pulling can make it harder to judge the shape you are cutting.\n\nUse fabric scissors and work slowly around curves or shaped pieces. For a repeated design, a paper template can help keep the pieces consistent. Label the template with the project name and measurement so it is easy to reuse.\n\nIf you are sewing the mesh onto another fabric, test the stitching on an offcut first. Check how the two materials sit together before attaching a long section.\n\nFor bows or wraps, finish one complete item before preparing the rest. A small adjustment to the first piece is much easier than changing a whole stack of cut lengths.\n\nCare and storage\n\nMachine washing appears in the product details, but no temperature or cycle is stated. Check any care information supplied with the spool before washing it. Ironing and tumble-drying instructions are not provided by the maker.\n\nA finished craft may also include ribbon, stitching or other materials with different care needs. Consider the whole item rather than treating the tulle's care information as instructions for every part.\n\nStore unused fabric clean and dry. Wind it neatly on the spool and keep it away from sharp tools or rough fastenings that could catch the mesh. Store completed decorations where they will not be crushed by heavier supplies.\n\nOrdering for an event and knowing your options\n\nA fixed event date needs a little planning room. The maker does not include a delivery timeframe, so check the delivery information when ordering in Canada. Leave time to inspect the fabric and make your trial piece before a group craft session.\n\nThe return window is 14 days from delivery. For a change-of-mind return, the fabric must be unwashed, uncut, unused and in its original packaging. The customer pays return postage.\n\nIf the goods are faulty or wrongly described, they are put right free of charge. Check the spool on arrival so any concern can be raised before you begin the project.\n\nThe short version\n\nChoose this white tulle spool when your project calls for a 15 cm wide mesh strip and you want to cut your own pieces from one 100-yard roll. Its listed uses include bows, wedding details, gift wrapping and sewing trim.\n\nMeasure first, make one complete sample and use that sample to plan the rest. The right width and a realistic cutting allowance will do more for your finished project than guessing how far a long spool might go.", "llm_summary": "This product is one spool of white tulle for crafts, wedding decorations and gift wrapping. It measures 15 cm wide and 100 yards long, described as approximately 91 m. The fabric is fine mesh made from 100% polyester, with a listed leno weave and a listed floral pattern. The stated weight is 120 g. Suggested uses include chair bows, pew bows, table accents, wedding favour wrapping, sewing trim and craft embellishments. Buyers cut pieces themselves; Machine washing is listed, but wash temperature and cycle are not specified by the maker. Mesh opening size, stretch and stiffness are not specified. Returns have a 14-day window from delivery, subject to the stated fabric conditions.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/white-tulle-spool-15cm-x-100-yards/", "canonical_url": "https://fabriccompany.net/white-tulle-spool-15cm-x-100-yards/", "json_url": "https://fabriccompany.net/api/products/white-tulle-spool-15cm-x-100-yards.json", "updated_at": "2026-11-13" }, { "id": "black-nylon-spandex-fabric-1-yard", "sku": "black-nylon-spandex-fabric-1-yard", "title": "Black Nylon Spandex Fabric, 1 Yard", "slug": "black-nylon-spandex-fabric-1-yard", "price": 68.99, "currency": "CAD", "availability": "in_stock", "category": "dressmaking-fabrics", "category_label": "Dressmaking Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "260 g", "images": [ "https://fabriccompany.net/dropship-images/dressmaking-fabrics/black-nylon-spandex-fabric-1-yard/main-black-nylon-spandex-fabric-1-yard.jpg" ], "description_short": "A one-yard piece with four-way stretch gives you flexible fabric for swimwear and activewear projects.", "description": "Choosing stretch fabric can be harder than choosing a colour. A piece may look right, yet still be wrong for the pattern, too small for the layout or missing a performance detail you need. For close-fitting garments, those checks matter before the scissors come out.\n\nThis nylon spandex fabric offers a clear starting point. It is one piece of solid black fabric, made from 80% nylon and 20% spandex, with four-way stretch. The supplied size is 1 yard (91 cm) by 152 cm. Swimwear and activewear are its stated uses.\n\nThe next step is to match those facts to your project. This guide explains what to check, what remains unknown and how to handle the fabric once it arrives.\n\nStart with the pattern, not just the fabric\n\nA sewing pattern should tell you what kind of material it needs. Read that section before deciding whether this piece belongs in your basket. Look for the required fabric type, stretch direction, stretch percentage and amount.\n\nA pattern for a stable woven fabric is not the same as one written for stretch material. Swapping between them can change the fit and the way the finished garment hangs. Choose a pattern that calls for a suitable stretch fabric rather than relying on colour or fibre content alone.\n\nThis product is listed for activewear and swimwear. That makes those pattern categories a sensible place to begin, but it does not mean every design in either category will work. Let the pattern requirements guide the final choice.\n\nWhat the nylon and spandex blend tells you\n\nThe composition is 80% nylon and 20% spandex. Spandex contributes stretch, while the blend provides the material for a flexible, fitted sewing project. The fabric construction is listed as tricot.\n\nFibre content is useful, but it does not tell the whole story. Two fabrics with the same blend can behave differently. Construction, thickness and finishing can affect how a material feels and sews. Those details are not all stated for this piece.\n\nFor that reason, avoid treating the composition as proof of a particular compression level or support. Neither is specified. If your project depends on a firm hold, a very light feel or a particular drape, ask for more information before ordering.\n\nUnderstanding four-way stretch\n\nFour way stretch material stretches along both the length and width. That is relevant to garments which need to move with the body. It also means you need to pay attention when placing pattern pieces.\n\nThe maker does not state a stretch percentage. Four-way stretch and a measured stretch percentage are different pieces of information. A pattern may need both, especially when its fit depends on the fabric stretching by a set amount.\n\nIf your pattern includes a stretch test, use it before cutting. Check the fabric against the test rather than assuming that any stretchy material will work. Follow the pattern's grain and stretch arrows even when the fabric moves in both directions.\n\nCheck the one-yard size carefully\n\nYou receive one piece measuring 1 yard (91 cm) by 152 cm. Think of that as a fixed rectangle for planning. It is not a promise that the piece will make a whole swimsuit, pair of leggings or other garment in every size.\n\nLay out your paper pattern within those measurements before buying. Include every panel, not just the large front and back sections. Bindings, bands and smaller pieces can take more room than expected.\n\nCheck whether the pattern allows pieces to be turned. Stretch direction can limit your layout even with a plain fabric. Also check whether seam allowances are already included in the pattern.\n\nIf you need several pieces, do not assume they will arrive as one continuous length. A project that needs an unbroken panel longer than the listed piece requires a different plan or confirmation before ordering.\n\nWhy solid black can be a useful starting point\n\nBlack nylon spandex fabric gives you a plain base without a printed motif to place or match. That can help when you want to focus on the garment shape or practise a new stretch-sewing method.\n\nA solid colour also leaves panel lines and finishing choices to your design. You can keep the project simple or use other suitable materials where the pattern allows them.\n\nDo not read more into the colour than the maker's description provides. Black does not prove that a fabric is opaque when stretched. The maker also does not state whether the surface is matte or glossy. If either detail is essential, check before committing to a project.\n\nChoosing it for swimwear\n\nSwimwear fabric needs to match the demands of the design. This piece is listed for swimwear, but the pattern may also require lining, elastic and other supplies. The fabric alone is not a complete sewing kit.\n\nRead the pattern's materials list in full. A design may need different materials for the outer layer and lining, with separate requirements for each. Plan those purchases together so that the finished garment follows the intended construction.\n\nChlorine resistance and a UPF rating are not stated. Do not assume either from the swimwear description. If you need fabric with a documented performance rating, seek that information before buying rather than relying on the intended-use label.\n\nChoosing it for activewear\n\nActivewear sewing fabric needs vary with the garment. A loose top and close-fitting leggings place different demands on the material. Start with the pattern's requirements, then consider how you expect to wear the finished piece.\n\nFor fitted garments, opacity under tension deserves a close check. The maker does not state opacity for this fabric. Once you receive it, assess that before cutting, while keeping it clean and unused if you are still deciding whether to return it.\n\nThe listed 260 g is an item weight. It is not a stated fabric weight per square metre, often called GSM. Do not use that number to classify the material as lightweight, medium-weight or heavyweight.\n\nPreparing for a stretch-sewing project\n\nBefore you begin, read your machine manual and pattern instructions. Choose a needle and stitch suitable for the fabric, then test on an offcut after you have decided to keep the piece.\n\nWatch how the test seam behaves when gently stretched. Check for skipped stitches, broken thread and puckering. Adjust your setup according to your machine guidance rather than pushing ahead with a seam that does not move as needed.\n\nSupport the material while sewing so it is not hanging heavily from the table. Avoid pulling it through the machine. Let the feed system move it while you guide the edges.\n\nAn overlocker is not specified as a requirement for this product. Whether you need one depends on your pattern and the stitches your machine can make.\n\nInspect before washing or cutting\n\nWhen the fabric arrives, check the piece before starting work. Keep the packaging while you make that decision.\n\nThis is also the time to look again at any missing information. If the fabric's feel or stretch does not suit your needs, do not cut a trial panel just to find out. Cutting changes its eligibility for a change-of-mind return.\n\nThe return window is 14 days from delivery. Fabric must be unwashed, uncut, unused and in its original packaging, and the customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nCare for the fabric gently\n\nThe product details specify hand wash only. Use cold water and mild detergent, and avoid bleach and fabric softeners. Handle the fabric gently rather than pulling or twisting it hard.\n\nAir dry without stretching it out of shape. Store it folded, and keep it away from rough surfaces that could catch or damage it. These simple habits suit a fabric whose stretch is important to the finished project.\n\nWhen combining materials, check the care needs of the lining, elastic and trims as well. A finished garment needs a care routine that suits all its parts. If the instructions conflict, resolve that before sewing everything together.\n\nBuying for someone else\n\nA piece of stretch fabric can be a thoughtful gift for a person who already enjoys sewing. The safest approach is to ask what they plan to make and whether a one-yard piece will fit the pattern.\n\nFor a surprise gift, remember that fabric choice is personal and practical. The recipient may need a particular stretch percentage, colour finish or larger piece. The maker does not supply every detail they might need.\n\nKeep the packaging and consider delivery timing in relation to the return window. Delivery timing is not specified by the maker, so check the available delivery information when ordering in Canada.\n\nThe short version\n\nChoose this solid black nylon spandex fabric when your pattern calls for a suitable four-way stretch material and fits within a 91 cm by 152 cm piece. Its stated blend is 80% nylon and 20% spandex, with tricot construction and hand-wash care.\n\nCheck the unknowns that matter to your project, especially stretch percentage and opacity. Then inspect before washing or cutting. A little planning now gives you a clearer path from a single piece of fabric to a garment you have chosen with care.", "llm_summary": "This product is one piece of solid black nylon spandex fabric measuring 1 yard (91 cm) by 152 cm. Its composition is 80% nylon and 20% spandex. The maker's description identifies tricot construction, four-way stretch, and activewear and swimwear uses. The listed item weight is 260 g, not a stated weight per square metre. Care is hand wash only. Stretch percentage, opacity, country of origin and certifications are not specified by the maker. Delivery timing is not specified. Returns are accepted within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/black-nylon-spandex-fabric-1-yard/", "canonical_url": "https://fabriccompany.net/black-nylon-spandex-fabric-1-yard/", "json_url": "https://fabriccompany.net/api/products/black-nylon-spandex-fabric-1-yard.json", "updated_at": "2026-11-13" }, { "id": "navy-cotton-fabric-3-yards", "sku": "navy-cotton-fabric-3-yards", "title": "Navy Cotton Fabric 3 Yard Pack", "slug": "navy-cotton-fabric-3-yards", "price": 65.99, "currency": "CAD", "availability": "in_stock", "category": "dressmaking-fabrics", "category_label": "Dressmaking Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "147 g", "images": [ "https://fabriccompany.net/dropship-images/dressmaking-fabrics/navy-cotton-fabric-3-yards/main-navy-cotton-fabric-3-yards.jpg", "https://fabriccompany.net/dropship-images/dressmaking-fabrics/navy-cotton-fabric-3-yards/navy-cotton-fabric-3-yards-3.jpg" ], "description_short": "A single 3-yard piece of plain-weave cotton gives you room to plan quilt blocks, accessories and home sewing projects.", "description": "Finding a fabric you like is only part of planning a sewing project. You also need enough length, the right width and a material that fits the pattern. A plain navy can be useful when you want a calm colour beside a print, but colour alone will not tell you whether a piece will work.\n\nThis cotton fabric comes as one piece measuring 3 yards (2.74 m) long and 112 cm (44 in) wide. It is described as 100% cotton with a plain weave and a solid Navy Peony colour. That gives you a clear place to start, whether you are planning patchwork, a bag lining or a cushion cover.\n\nThe next step is to compare those details with the project you have in mind.\n\nUnderstand what the pack includes\n\nAlthough the heading uses cotton fabric by the yard, this is a fixed pack. That distinction matters if your pattern needs more fabric or calls for a wider cloth.\n\nWork from the stated buying size of 3 yards (2.74 m) by 112 cm (44 in). Do not assume that ordering a pack gives you extra cutting allowance beyond those measurements. Your layout needs room for seams, any edges you will trim away and possible changes after washing.\n\nOne continuous piece lets you decide where to place large panels and where smaller shapes can fit around them. Before cutting, sketch a rough layout on paper. It is much easier to change a pencil line than to replace a section cut too soon.\n\nWhat plain-weave cotton brings to a project\n\nPlain weave describes a simple structure in which yarns pass over and under one another. Here, that structure is paired with a solid colour rather than a printed design. You do not have printed motifs to centre or stripes to line up at a seam.\n\nThis can make solid cotton fabric a useful choice for projects where shape and stitching do the visual work. A plain border can frame patchwork, while a solid lining can give the inside of a bag a different look from its outer fabric.\n\nThe maker does not give a GSM figure, a measured drape or a stretch percentage. Those gaps matter when a pattern depends on a certain fabric weight or stretch. Treat the cotton content and weave as starting facts, not proof that it will suit every sewing task.\n\nUse navy as part of your colour plan\n\nNavy can act as the main colour or as a quiet partner to a busier fabric. In patchwork, you might repeat it through several blocks to connect different prints. For a cushion, you might use it on both sides or pair it with a contrasting panel.\n\nThe listed shade is Navy Peony. That name helps identify the option, but it does not guarantee a match to another navy you already own. Different screens, room lighting and nearby colours can change how a shade looks.\n\nIf a close match matters, compare the actual fabrics before committing to the project. Lay them together in the light where the finished item will be used. For a washable piece, also consider a colourfastness test before combining dark fabric with pale sections.\n\nPlan quilting cuts before you start\n\nNavy quilting fabric can serve several roles in the same quilt. It may become a border, sashing between blocks or binding around the edge. Each role uses the available fabric differently, so begin with the quilt pattern rather than a general guess.\n\nFor borders, check whether the pattern expects long unjoined strips or allows pieced strips. For binding, calculate the total length needed around the quilt, including the extra required for joins and finishing. Strip width also changes how much fabric the task uses.\n\nIf you are choosing fabric for patchwork, count the pieces and include their seam allowances. Arrange larger shapes first, then see whether smaller pieces fit into the remaining areas. Keep a little room for correcting a cut rather than planning to use every last edge.\n\nCheck dressmaking patterns with care\n\nApparel is among the listed uses, but dressmaking cotton fabric still needs to match the demands of the pattern. Look for the recommended fabric types and the yardage table for the relevant width. A layout designed for wider fabric may not fit within 112 cm.\n\nAlso consider how the garment is meant to sit. A design that needs stretch, a very fluid drape or a firm structure may call for something different. The maker does not provide those measured properties, so avoid filling in the gaps with assumptions.\n\nBefore buying for clothing, check the largest pattern pieces as well as the total yardage. A piece may contain enough area overall but still be too narrow for a particular panel. Pattern placement, grain direction and seam allowances all affect the final fit.\n\nThink through bags and home projects\n\nBag linings and cushion covers are suggested uses for this fabric. Both can be manageable projects, but each needs a cutting plan. A cushion cover requires more than the face measurement of the cushion because seams and the closure take up fabric too.\n\nFor an envelope closure, allow for the overlapping back panels. For a zip closure, follow the pattern's extra allowances. If you are using navy fabric for cushion covers as part of a matching set, calculate every cover before cutting the first one.\n\nA cotton bag lining fabric also needs to fit the intended bag design. Pockets, divided sections and shaped bases can add pieces that are easy to overlook. Follow the pattern's advice about support materials rather than expecting the cotton alone to provide every kind of structure.\n\nMake room for embroidery and smaller crafts\n\nCotton fabric for embroidery gives you a plain surface on which stitching can stand out. The thread colour, stitch density and size of the design will affect the result. Test your chosen setup on a small piece before stitching the main panel.\n\nA sample can help you judge needle choice and whether your design needs stabiliser. It can also show how the fabric looks after pressing. These checks are useful when a stitched panel will later become part of a cushion, pouch or other sewn item.\n\nSmaller projects can make good use of leftovers, but save them after planning the main cuts. It is tempting to trim off a handy scrap early. That same area may be needed later for a border join, pocket or test piece.\n\nDecide whether to prewash\n\nMachine washing is listed in the product details. A wash temperature, drying method and measured shrinkage rate are not given by the maker. Check any care information that arrives with the fabric before choosing settings.\n\nFor a project that will be washed after use, prewashing can help you assess the cloth before final measuring and cutting. Cotton may change size after washing, and dark colours deserve care when they will sit beside lighter fabrics. Do not assume an exact shrinkage allowance that has not been stated.\n\nThere is a practical order to follow. First inspect the fabric and decide whether you want to keep it. Then consider testing and washing. Washing changes its eligibility for a change-of-mind return, so that decision should come before preparation.\n\nMeasure, mark and cut with a plan\n\nOnce you are ready to keep and prepare the fabric, check the usable measurements for yourself. Smooth it out without pulling it out of shape. Follow your pattern's grain markings and keep each piece within the available width.\n\nUse a marking method you have tested on a small area. Work on a surface large enough to support the section being cut, rather than letting its weight pull at the edge. Taking your time here can prevent uneven pieces and avoidable waste.\n\nLabel pieces that look alike but have different jobs. This is especially helpful with plain navy, where the absence of a print can make similar shapes hard to tell apart. Keep remaining fabric until the project is finished in case you need another small part.\n\nCheck delivery and return details first\n\nNo delivery lead time is stated in the maker's description. If the fabric is for a dated event or a gift project, check the delivery information for your address before ordering. Leave time for inspection, preparation and sewing as well as shipping.\n\nReturns are available within 14 days of delivery when the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Keep the packaging while you decide whether the colour and fabric suit your plans.\n\nFaulty or wrongly described goods are put right free of charge. Inspect the piece before starting work, and raise any concern before washing or cutting it. That keeps the condition clear and avoids spending time on a project with fabric you may need to return.\n\nThe short version\n\nThis is a single piece of navy cotton, 3 yards (2.74 m) long and 112 cm (44 in) wide. Its solid colour and plain weave make it worth considering for quilting, sewing and craft patterns that call for this type of fabric.\n\nChoose it by matching the pack to your cutting plan, not by colour alone. Check width, yardage and care needs, then inspect it before making permanent changes. A little planning at the start leaves you better placed to enjoy the sewing itself.", "llm_summary": "This product is one piece of solid Navy Peony cotton fabric, supplied as a 3-yard pack. The stated buying size is 3 yards (2.74 m) long and 112 cm (44 in) wide. It is described as 100% cotton with a plain weave. Listed uses include quilting, sewing, embroidery, bag linings, cushion covers and other craft projects. Machine washing is stated, but the wash temperature, drying method and measured shrinkage are not specified by the maker. Fabric weight per square metre and country of origin are also not specified. This is a fixed piece, not a custom cutting service. Returns within 14 days of delivery require unwashed, uncut, unused fabric in its original packaging, with customer-paid return postage.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/navy-cotton-fabric-3-yards/", "canonical_url": "https://fabriccompany.net/navy-cotton-fabric-3-yards/", "json_url": "https://fabriccompany.net/api/products/navy-cotton-fabric-3-yards.json", "updated_at": "2026-11-13" }, { "id": "silver-charmeuse-satin-fabric-2-yards", "sku": "silver-charmeuse-satin-fabric-2-yards", "title": "Silver Charmeuse Satin Fabric, 2 Yards", "slug": "silver-charmeuse-satin-fabric-2-yards", "price": 63.99, "currency": "CAD", "availability": "in_stock", "category": "dressmaking-fabrics", "category_label": "Dressmaking Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "272 g", "images": [ "https://fabriccompany.net/dropship-images/dressmaking-fabrics/silver-charmeuse-satin-fabric-2-yards/main-silver-charmeuse-satin-fabric-2-yards.jpg" ], "description_short": "A single 2-yard piece with a smooth feel and shiny finish gives you fabric for garments, accessories and decorative projects.", "description": "Start with the project, not just the shine\n\nFinding a fabric with the right look is only half the job. You also need enough width and length, a suitable feel, and care instructions that work for the finished item. A shiny silver fabric may catch your eye, but a quick check of the practical details can save a wasted cut.\n\nThis silver charmeuse satin is supplied as one piece measuring 2 yards (1.83 m) long and 152 cm (60 in) wide. It is listed as 100% polyester, with a satin weave, a solid colour and a smooth feel. Hand washing is the stated care method.\n\nThose details give you a useful starting point. Whether you are planning a scarf, a costume detail or a garment lining, compare the fabric with the needs of that specific project before buying.\n\nUnderstand what satin means\n\nSatin describes a weave, not a fibre. That distinction matters when shopping because satin fabrics can have different fibre contents and care needs. This polyester satin fabric should not be mistaken for silk.\n\nThe product is described as having a shiny finish and soft drape. These qualities can work well when you want folds, gathers or a flowing shape to be part of the design. The solid silver colour keeps the focus on the shape and surface rather than a printed pattern.\n\nStill, the word satin does not answer every question. Stretch, opacity and fabric weight per square metre are not given by the maker. If your pattern depends on one of those properties, confirm it before making a final choice.\n\nKnow exactly how much you are buying\n\nThis is one defined piece, not fabric cut to your requested length. You receive 2 yards (1.83 m) in length and 152 cm (60 in) in width. The detailed specifications also list dimensions of 182.9 by 152.4 cm.\n\nUse your pattern's fabric requirement as the main guide. Check the option you actually intend to sew rather than the first figure on the envelope.\n\nRemember that the full piece cannot all become visible finished fabric. Seams, hems, facings and ties may use part of it. A generous bow or a gathered section can need more material than its finished size suggests.\n\nFor a project without a pattern, draw a simple layout on paper. Mark the fabric width and length, then sketch every piece you need, including finishing allowances. This small step can reveal a shortage before you order.\n\nMatch the fabric to a sensible project\n\nScarves and sashes are among the suggested uses for this fabric. They can let the silver finish remain visible without requiring a complex fitted shape. Even a simple accessory needs a cutting plan and a neat edge finish.\n\nGarments are another possibility, but “satin fabric for dresses” covers a wide range of designs. Do not assume two yards will cover a dress simply because dresses appear in the suggested uses.\n\nLinings are also listed. When considering satin lining fabric, think about the entire garment. The lining and outer fabric need to work together in construction and care. A hand-wash-only lining may not suit the care routine you have planned for the finished piece.\n\nCostume projects offer another use for the shiny surface. Check any specific requirements first, especially if the design calls for stretch or the event has rules about materials. No special safety properties are stated for this fabric.\n\nThink carefully about decorative uses\n\nSilver satin can be considered for decorative cushion covers, table details and other accents. Its shiny finish makes it worth assessing alongside the other surfaces in the room or event space.\n\nScale is important. A small fabric accent and a full tablecloth have very different requirements. Measure the table or cushion rather than estimating by sight. Add the allowance needed for hems, closures or any planned overhang.\n\nFor silver wedding fabric, start with one clear task. A sash, a decorative panel or a set of small accents is easier to measure than a broad plan to decorate a whole room. Count every item before calculating the total fabric needed.\n\nDo not treat suggested decorative uses as proof of heavy-duty performance. No abrasion rating is provided. If the item will face frequent friction or hard daily wear, check suitability rather than assuming that any satin can serve as upholstery.\n\nAssess colour and finish together\n\nThe listed colour is silver, with a solid pattern. That tells you the colour family, but it does not guarantee a match to a dress, ribbon or decoration you already own.\n\nScreen settings and room lighting can affect how a colour appears. Once the fabric arrives, look at it beside the items it needs to match. If the project is for an event, assess it under lighting similar to the setting where it will be used.\n\nLook at the finish as well as the shade. Turn the piece and view it from different positions. Before cutting, decide how you want the visible pieces to face and follow any direction guidance in your pattern.\n\nThis check is especially useful when several sections will sit next to each other. A little planning helps you make deliberate choices rather than noticing a difference after the seams are sewn.\n\nPrepare before cutting\n\nInspect the fabric while it is still unwashed and uncut. Check that the piece suits your project, and review the care instruction before doing anything that changes its condition.\n\nIf you decide to keep it, follow the stated hand-washing requirement when preparing it for use. Do not substitute machine washing simply because the fibre content is polyester. The supplied care instruction applies to this particular fabric.\n\nBefore laying out the pattern, clear a work surface large enough to support the piece. Avoid letting part of the fabric pull against the section you are measuring. Take time to check that your pattern pieces are placed as intended.\n\nFor a new design, consider testing the shape in another fabric first. A trial version can help you check fit and construction before cutting the silver dressmaking fabric. This is particularly useful when your available length leaves little room for changes.\n\nTest the sewing method on an offcut\n\nOnce you have committed to the project, keep a useful offcut for testing. A short seam can tell you more than guessing how a stitch setting will look.\n\nCheck the test seam for puckering, visible marks and the finish you want. If your design includes gathers or a narrow hem, test those details too. It is easier to change a method on a small sample than on a nearly finished garment.\n\nPressing deserves the same care. A safe ironing temperature is not specified by the maker, so avoid treating the main piece as the test area. Try a cautious method on an offcut before pressing visible sections.\n\nThese checks are not a promise of a particular result. They are a way to learn how your tools and chosen construction method work with the actual fabric in front of you.\n\nChoose care you can keep up with\n\nThe stated instruction is hand wash only. Consider that before choosing a project that will need frequent cleaning, such as a heavily used cover or everyday garment.\n\nIf you are combining this satin with other materials, check their care needs too. A finished item is easier to care for when its fabrics and trims can follow a compatible routine.\n\nMachine washing, tumble drying and a specific pressing temperature are not supported by the maker's details. Avoid guessing at these settings. Keep the care details with your sewing notes, especially if you plan to give away the finished item.\n\nStore unused fabric clean and dry, away from rough objects that could catch the surface. Keeping offcuts with a note about the fibre content and care can also help when you return to a project later.\n\nCheck timing and returns before ordering\n\nIf you need satin fabric for decorations by a fixed date, check the delivery information for your address before paying. The maker does not provide a delivery lead time, so there is no stated arrival window to plan around here.\n\nAllow time to inspect the fabric and complete your sewing. A project deadline should include more than the day the parcel arrives. Layout, testing and finishing all need room in the schedule.\n\nReturns are available within 14 days of delivery when the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage. That makes the first inspection important, before washing or cutting begins.\n\nFaulty or wrongly described goods are put right free of charge. Contact us with your order details if there is a problem, rather than trying to work around it before asking for help.\n\nThe short version\n\nChoose this fabric when your project calls for solid silver polyester satin with a shiny finish and smooth feel. You receive one piece measuring 2 yards (1.83 m) long and 152 cm (60 in) wide, with hand-wash-only care.\n\nCheck your pattern, planned layout and care needs first. Treat unknown details, such as stretch and opacity, as questions to confirm rather than qualities to assume. With those checks done, you can decide whether this piece belongs in your next sewing project.", "llm_summary": "This product is one piece of silver charmeuse satin fabric measuring 2 yards (1.83 m) long and 152 cm (60 in) wide. The detailed description also description dimensions of 182.9 by 152.4 cm and an item weight of 272 g. The fabric is listed as 100% polyester, with a satin weave and a solid silver colour. It has a shiny finish, smooth feel and soft drape. Suggested uses include garments, linings, scarves, sashes, costumes and decorative projects. Hand wash only is the stated care instruction. It is not sold as a Stretch, opacity, fabric weight per square metre, country of origin and certifications are not specified by the maker.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/silver-charmeuse-satin-fabric-2-yards/", "canonical_url": "https://fabriccompany.net/silver-charmeuse-satin-fabric-2-yards/", "json_url": "https://fabriccompany.net/api/products/silver-charmeuse-satin-fabric-2-yards.json", "updated_at": "2026-11-13" }, { "id": "white-cotton-fabric-3-yards", "sku": "white-cotton-fabric-3-yards", "title": "White Cotton Fabric 3 Yards", "slug": "white-cotton-fabric-3-yards", "price": 65.99, "currency": "CAD", "availability": "in_stock", "category": "dressmaking-fabrics", "category_label": "Dressmaking Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "147 g", "images": [ "https://fabriccompany.net/dropship-images/dressmaking-fabrics/white-cotton-fabric-3-yards/main-white-cotton-fabric-3-yards.jpg", "https://fabriccompany.net/dropship-images/dressmaking-fabrics/white-cotton-fabric-3-yards/white-cotton-fabric-3-yards-3.jpg" ], "description_short": "A single 3-yard piece of plain-weave cotton gives you a solid white base for quilting, sewing and craft projects.", "description": "A sewing project can stall over a simple choice: which plain fabric should sit beside the print, form the background, or become the first practice piece? White cotton fabric is worth considering when you want a solid surface without a printed design.\n\nThis piece gives you a clear starting quantity. You receive one length measuring 3 yards (2.74 m) long and 112 cm (44 in) wide. It is plain-weave cotton intended for sewing, quilting and craft work. The useful next step is to match those facts to your project, rather than assume one fabric will suit every pattern.\n\nStart with the project you want to make\n\nBefore choosing cotton fabric for sewing, decide what the finished item needs to do. A quilt block has different needs from a fitted shirt. A decorative cushion cover may need a different finish from a small embroidered panel.\n\nThe product information suggests uses including quilts, apparel, bags and home decorations. Those are starting points, not a promise that every design in those groups will work. Your pattern remains the main guide.\n\nRead its fabric suggestions and yardage table. Look for the required width, any need for stretch, and the expected drape. If your pattern calls for properties that are not stated by the maker, ask for more information before ordering.\n\nA little checking now can prevent a larger mistake after cutting. This matters most when a project has long pieces, a close fit or very little spare fabric.\n\nUnderstand what plain-weave cotton tells you\n\nPlain weave describes the way the threads cross. In a basic plain weave, threads pass over and under one another. This tells you about the construction, but it does not tell you everything about the finished cloth.\n\nIt does not give a measured thickness, opacity or stretch percentage. Those details are not specified by the maker. Nor is there a fabric weight per square metre that you can compare with another cloth.\n\nThat distinction is useful when shopping for plain weave cotton fabric online. The listed item weight of 147 g is not a GSM rating. Do not use it to decide that the fabric will behave like another fabric with a similar-looking number.\n\nInstead, choose by the facts you have and test the properties that matter to your design.\n\nCheck the length and width together\n\nThis is one fixed piece, not fabric cut to your chosen length. Its 3-yard length may be enough for several small items or part of a larger project, but the answer depends on your cutting plan.\n\nWidth matters just as much. Use 112 cm (44 in) when comparing the piece with a pattern's yardage table. A layout written for a wider fabric may need more length or may not fit as shown.\n\nLay out paper pattern pieces within a space matching the stated dimensions. Include seam allowances where your pattern requires them, along with hems, facings and other separate parts.\n\nDo not count on using every last centimetre. Leave room for checking the edges, preparing the cloth and correcting a cutting error. If your layout is tight before you begin, consider whether another size of fabric would be a better choice.\n\nUse white as a deliberate design choice\n\nSolid white fabric can give the eye a quiet place to rest beside a busy print. In patchwork, it can separate blocks or make coloured shapes easier to read. It can also become the main surface of a project.\n\nThink about the effect you want rather than choosing white only because it seems neutral. A large white border changes the look of a quilt differently from narrow white sashing. A white cushion cover will also show its seams and finishing details clearly.\n\nThe maker does not give a specific shade code. If you need an exact match to fabric you already own, do not assume all whites will match.\n\nFor a project built around one consistent white, work out the full fabric requirement before starting. That helps you plan without relying on a later piece being an exact visual match.\n\nPlan quilting cuts before making the first strip\n\nWhite quilting cotton can serve several roles in one quilt. The supplied uses include blocks, bindings, borders and sashing. Each role asks for a different cutting plan.\n\nFor blocks, count how many shapes you need and include seam allowances. For sashing, account for every strip between the blocks as well as any outer strips. For borders, check whether your design allows joins.\n\nBinding has its own fabric allowance. Do not treat a few leftover strips as a sure supply until you have worked out the required total length.\n\nKeep your cutting order simple. Cut the largest or longest required parts first, then use the remaining areas for smaller pieces. Drawing a rough layout on paper can help you see where offcuts will fall before you touch the scissors.\n\nConsider clothing and lining with care\n\nApparel and lining appear in the suggested uses, but that does not settle whether this fabric suits your chosen garment. Clothing depends heavily on how fabric hangs, feels and covers what is underneath.\n\nOpacity is not stated. Before using white cotton lining fabric or making an unlined garment, hold a sample over the intended backing. Check it in the light where the item is likely to be worn.\n\nStretch is also not specified. A pattern made for stretch fabric should not be treated as suitable without checking. Even a simple design can fit poorly if the cloth does not behave as the pattern expects.\n\nFor a fitted garment, make time for a sample seam and a fit check. The cost of a little testing is usually smaller than the work of replacing cut panels.\n\nMatch craft ideas to the fabric\n\nThe project suggestions include embroidery, dolls' costumes, bags and cushion covers. These offer different ways to use a single piece, especially if your plan includes several smaller items.\n\nWhen choosing cotton fabric for embroidery, test the stitch density and tension on an offcut. Check whether your design needs added support. A light outline and a densely filled shape can place very different demands on the same base cloth.\n\nFor bags and covers, follow the pattern's advice about lining, closures and interfacing. The fabric alone does not determine how structured the finished item will feel.\n\nSmall projects are also a useful way to assess the cloth before attempting something larger. Keep a sample with notes about your stitch settings and any preparation you carried out.\n\nInspect before washing or cutting\n\nOpen the package and check the fabric before making changes to it. Confirm that it is the item you expected and inspect the piece for any concern you may need to raise with the store.\n\nThis is important because the return conditions require fabric to be unwashed, uncut and unused, with its original packaging. If you are unsure whether you want to keep it, pause before preparing a test sample.\n\nOnce you decide to keep the piece, test the things that matter to your project. That might include a sample seam, the look of a hem or how the fabric sits over another layer.\n\nKeep the main piece intact until those checks are complete. A careful start gives you more choices than trying to solve a problem after every part has been cut.\n\nPlan washing around the finished item\n\nMachine washing is listed in the product details. Specific wash temperatures, drying settings and ironing temperatures are not given by the maker, so check any care label that arrives with the fabric.\n\nA measured shrinkage percentage is not stated. If size matters to the finished project, test wash a small sample before preparing and cutting the full piece. This lets you make your own informed plan rather than rely on a guessed allowance.\n\nThink about every material in the finished item, too. A quilt, lined bag or decorated cushion may combine cloth, thread and other parts with different care needs.\n\nStore unused fabric clean and dry, away from direct sunlight. Keep useful offcuts together so you can use them for later stitch tests or small repairs.\n\nCheck delivery and returns before ordering\n\nNo delivery lead time is given in the maker's description. Check the delivery information for your address before placing an order, particularly if the fabric is needed for a class, gift or event.\n\nThe stated return period is 14 days from delivery. For a change-of-mind return, fabric must be unwashed, uncut, unused and in its original packaging. Return postage is paid by the customer.\n\nFaulty or wrongly described goods are put right free of charge. If you notice a problem, contact us before washing or cutting the piece.\n\nThe short version\n\nChoose this white cotton fabric when your plan calls for a solid, plain-weave cotton piece measuring 3 yards (2.74 m) by 112 cm (44 in). Quilting, sewing and craft projects are the listed uses.\n\nCheck the pattern, plan the cuts and inspect the cloth before changing it. Where opacity, stretch or shrinkage matters, test rather than guess. That approach gives your project a sound start.", "llm_summary": "White cotton fabric supplied as one piece, 3 yards (2.74 m) long and 112 cm (44 in) wide. The product details identify cotton, a plain weave and a solid white pattern. It is listed for quilting, sewing, embroidery and craft projects, with machine washing stated as the care method. Listed item weight is 147 g. Fabric weight per square metre, opacity, measured shrinkage, country of origin and certifications are not specified by the maker. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with customer-paid return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/white-cotton-fabric-3-yards/", "canonical_url": "https://fabriccompany.net/white-cotton-fabric-3-yards/", "json_url": "https://fabriccompany.net/api/products/white-cotton-fabric-3-yards.json", "updated_at": "2026-11-13" }, { "id": "fusible-fleece-interfacing-120cm-x-1m", "sku": "fusible-fleece-interfacing-120cm-x-1m", "title": "White Medium Weight Fusible Fleece, 120 cm x 1 m", "slug": "fusible-fleece-interfacing-120cm-x-1m", "price": 33.99, "currency": "CAD", "availability": "in_stock", "category": "interfacing-and-wadding", "category_label": "Interfacing And Wadding", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "370 g", "images": [ "https://fabriccompany.net/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/main-fusible-fleece-interfacing-120cm-x-1m.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-2.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-3.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-4.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-5.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-7.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-8.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-9.jpg" ], "description_short": "This single-sided iron-on fleece adds a supporting layer to bags and craft projects in one white, medium weight piece.", "description": "A bag can look right on paper yet feel too soft once the fabric is cut. A pouch may need more body, or a craft project may need a supporting layer that stays attached while you sew. Choosing that hidden layer matters just as much as choosing the outer fabric.\n\nFusible fleece is one option when a pattern calls for added body and a fleece layer. This product is one piece of white medium weight fleece, 120 cm wide and 1 m long, with adhesive on one side. Before buying, check the size, the feel you want and whether your fabric can take the heat needed for fusing.\n\nWhat fusible fleece brings to a project\n\nFleece interfacing sits inside a sewn item rather than acting as the visible outer fabric. Its job is to change the feel and body of the fabric assembly. With an iron-on version, the adhesive helps attach that layer before you build the rest of the project.\n\nThis fleece is described as medium weight, stiff and 1.3 mm thick. Those details are useful starting points, but they do not tell you exactly how a finished bag will feel. A thin outer fabric and a heavy one can give quite different results over the same fleece.\n\nThink of it as one part of the construction. The lining, seams and shape still matter. A bag stabilizer alone does not guarantee that a finished bag will stand upright, and this product makes no such promise.\n\nUnderstand the piece size before ordering\n\nYou receive one piece measuring 120 cm across and 1 m long. This is a set piece, not fabric cut to a length you request. For layout planning, that gives you a rectangle measuring 120 cm by 100 cm.\n\nThe maker's description also shows product dimensions of 25.4 x 35.56 x 2.54 cm. These are separate from the stated fabric size. Their purpose is not explained in the maker's description, so use the 120 cm by 1 m measurement when checking your pattern.\n\nAvoid judging coverage from the name of a project. One might use fleece only on the outer panels, while another includes pockets or a base. Read the cutting list before deciding whether one piece is enough.\n\nMatch the fleece to your pattern\n\nThe simplest choice is often the one your pattern already specifies. If it asks for medium weight fusible fleece, compare that requirement with this product. If it asks for a different type of support, pause before making a substitution.\n\nPlain interfacing, fleece and other stabilizers can change a project in different ways. A pattern written around one material may need changes when you use another. This matters at folded edges, narrow openings and corners, where several layers meet.\n\nFor fleece for bag making, consider how you want the finished item to bend. A softly shaped bag has different needs from a firm box-shaped case. The maker's description gives you a starting point, but a sample made with your actual fabric is more useful than a general weight label.\n\nCheck the outer fabric as well\n\nIron-on bag interfacing needs a fabric that can tolerate the application process. Do not assume every fabric can take the same amount of heat. Read the fabric care guidance before you bring out the iron.\n\nThin or sheer fabric deserves another check. White fusible fleece may be visible through it, and the extra layer may change its surface or drape. Hold the materials together in good light before deciding whether the combination suits your project.\n\nTextured surfaces can also make the result harder to predict. If you are unsure, ask for application guidance before using the full piece. A test can help you judge appearance, attachment and feel without risking a large panel.\n\nPlan your cutting layout first\n\nLay your paper pattern pieces within a marked 120 cm by 100 cm area. Use the cutting instructions for the fleece, which may differ from those for the outer fabric. Some patterns treat seam allowances differently for supporting layers.\n\nCheck how many copies of each piece you need. A front and back panel may look alike, but the pattern could also call for a base or smaller sections. Mark each piece on your layout so nothing is missed.\n\nLeave room for a test offcut if possible. It is tempting to fit every last pattern piece into the available area, but a small trial can prevent a much larger mistake. Do this planning before cutting, especially if you are still deciding whether to keep the product.\n\nMake a useful test sample\n\nA good test uses the same fabric and layer arrangement as the finished project. Place the adhesive face of the single sided fusible fleece against the wrong side of a fabric offcut. Check the supplied instructions before applying heat.\n\nOnce the sample has cooled, look at both sides. Check for visible changes to the outer fabric and assess whether the bond appears even. Bend the sample gently to get a sense of how the combined layers behave.\n\nIf seams are important to the design, sew a sample seam too. A flat fused piece does not show how much bulk will gather at a corner. Testing the full construction gives you a clearer answer than pressing alone.\n\nRemember that cutting or using the fleece affects return eligibility. Inspect the unopened piece and confirm the listed details before beginning any test.\n\nUse the iron with care\n\nThe adhesive side is described as slightly rough. Identify it before positioning the fleece so that it faces the fabric rather than the iron. Work on a suitable pressing surface and keep the layers flat.\n\nFollow the application guidance supplied with the product. The fabric's heat tolerance matters alongside the fleece instructions, so do not rely on a setting you used for a different project.\n\nTake time to check the first section before treating a whole panel. If the fabric changes appearance or the result is uneven, stop and review the instructions. Adding more heat without understanding the problem can put the outer fabric at risk.\n\nSew with the whole stack in mind\n\nAfter fusing, your fabric assembly will feel different from the outer fabric on its own. That is the point of adding support, but it can also affect how folds and seams behave.\n\nFor interfacing for pouches, pay close attention to zip ends and corners. These areas can bring several layers together in a small space. Follow the pattern's directions for reducing bulk rather than trimming fleece at random.\n\nTry your machine setup on a sample of the full stack. Check stitch formation and feeding before working on the visible project pieces. This is a practical way to spot a problem while it is still easy to change your approach.\n\nDecide whether it suits your kind of sewing\n\nThis product is intended for bags and sewing or craft projects. It is worth considering when your instructions call for a white medium weight fusible layer and the supplied piece fits your layout.\n\nIt is not automatically the right choice for clothing, quilts or any project that needs a particular wash performance. Those uses may have different requirements, and the maker's description does not establish suitability for them.\n\nIf you are choosing polyester fusible fleece for a new pattern, focus on the stated requirements rather than the project name alone. “Bag” covers everything from a soft drawstring style to a structured case. The supporting layer needs to match the design.\n\nThink about care before assembly\n\nThe maker does not state washing or tumble-drying performance. That is important if you are making something you expect to clean often. Check the supplied guidance before choosing the fleece for that purpose.\n\nThe finished item contains more than the fleece. Outer fabric, lining, thread and closures may all have different care limits. Choose a care method that suits the complete item, not just its most washable part.\n\nKeep unused craft interfacing clean and dry, away from direct heat. Store the remaining piece with its instructions so you have the same guidance when you return to it for another project.\n\nCheck delivery and returns before you start\n\nNo delivery lead time is stated in the maker's description. Use the delivery information at checkout when planning a project deadline, especially if you still need time to test the materials.\n\nInspect the product when it arrives. Confirm that it is the piece you ordered before washing, cutting or using it. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with return postage paid by the customer.\n\nFaulty or wrongly described goods are put right free of charge. If something seems wrong, raise it before changing the condition of the piece.\n\nThe short version\n\nChoose this fusible fleece when your pattern needs a white medium weight iron-on layer and a single 120 cm x 1 m piece covers the cutting plan. Check fabric heat tolerance, follow the supplied pressing guidance and test the full layer stack before sewing.\n\nThe hidden parts of a project deserve a little planning. A careful layout and a useful sample can help you decide whether this fleece gives your project the body and feel you want.", "llm_summary": "This product is one piece of white medium weight fusible fleece for bag making, sewing and craft projects. The piece measures 120 cm wide by 1 m long. The maker describes it as 100% polyester, 1.3 mm thick, with adhesive on one side for iron-on application. The listed item weight is 370 g. Separate listed product dimensions are 25.4 x 35.56 x 2.54 cm; these are not the stated piece size. Fabric compatibility should be checked with a test sample before use. Wash-care performance, country of origin and warranty are not specified by the maker. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with return postage paid by the customer.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/fusible-fleece-interfacing-120cm-x-1m/", "canonical_url": "https://fabriccompany.net/fusible-fleece-interfacing-120cm-x-1m/", "json_url": "https://fabriccompany.net/api/products/fusible-fleece-interfacing-120cm-x-1m.json", "updated_at": "2026-11-13" }, { "id": "lightweight-fusible-interfacing-54-yards", "sku": "lightweight-fusible-interfacing-54-yards", "title": "Lightweight Fusible Interfacing Roll", "slug": "lightweight-fusible-interfacing-54-yards", "price": 55.99, "currency": "CAD", "availability": "in_stock", "category": "interfacing-and-wadding", "category_label": "Interfacing And Wadding", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "930 g", "images": [ "https://fabriccompany.net/dropship-images/interfacing-and-wadding/lightweight-fusible-interfacing-54-yards/main-lightweight-fusible-interfacing-54-yards.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/lightweight-fusible-interfacing-54-yards/lightweight-fusible-interfacing-54-yards-2.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/lightweight-fusible-interfacing-54-yards/lightweight-fusible-interfacing-54-yards-3.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/lightweight-fusible-interfacing-54-yards/lightweight-fusible-interfacing-54-yards-4.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/lightweight-fusible-interfacing-54-yards/lightweight-fusible-interfacing-54-yards-5.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/lightweight-fusible-interfacing-54-yards/lightweight-fusible-interfacing-54-yards-6.jpg" ], "description_short": "A soft, thin iron-on layer supports garment details and accessories without adding heavy bulk.", "description": "When soft fabric needs a little help\n\nA collar can look right on the cutting table yet lose its shape once worn. A pocket edge may need more support than the main fabric gives it. These are the kinds of details where interfacing for sewing can help.\n\nInterfacing sits behind the outer fabric and changes how that section behaves. The aim is not always to make something stiff. Often, you simply want a little more body while keeping the finished piece soft enough to wear or use.\n\nThis roll is lightweight fusible interfacing. It is described as thin and soft, with a non-woven construction and an iron-on adhesive. Think of it as a support layer for selected parts of a project, not a replacement for the main fabric or a thick padded filling.\n\nWhat comes on the roll\n\nYou receive one roll of white fusible interfacing measuring 40 cm (15.7 in) wide and 54.7 yards (50 m) long. You cut the pieces you need yourself. It is not sold as fabric cut to your chosen length.\n\nThat length gives you material to draw from across repeated sewing projects. The width deserves just as much attention, though. A long roll will not make a wide pattern piece fit across it. Lay out your largest interfacing pieces on a 40 cm-wide space before deciding whether this format suits your work.\n\nThe maker's description also gives product dimensions of 39.88 x 11.99 x 11.99 cm and an item weight of 930 g. Those figures are separate from the stated material width and length. The item weight does not tell you how many grams each square metre of interfacing weighs.\n\nHow the iron-on layer works\n\nFusible interfacing uses heat to attach a support layer to the reverse of a fabric. This product has PES adhesive on one side. The adhesive side has a rougher, textured feel, while the opposite side is smooth.\n\nPlace the adhesive against the wrong side of your fabric, then press from the smooth side. The maker gives a pressing time of 20 to 30 seconds. It does not give a numerical iron temperature or say whether steam is needed.\n\nThat missing information matters. Read any instructions that arrive with the roll and check your fabric's care guidance. Do not treat a general pressing time as proof that every fabric can withstand the same method.\n\nStart with a sample, not a finished piece\n\nA small test can save a carefully cut garment section. Use a scrap of the actual outer fabric, rather than a similar fabric from another project. Differences in finish, weave or thickness can change the result.\n\nCut a matching piece of interfacing and try the application method on that sample. Use a suitable pressing surface and keep adhesive away from the bare iron. Press with care rather than dragging the iron around and shifting the layers.\n\nLet the sample cool flat before judging it. Then look at both sides. Check for puckering, visible adhesive marks or a change in colour. Feel the sample too. It should have the amount of support your project needs, not merely a bond that holds.\n\nIf the finished item will be washed, test the sample using the intended care method once you have checked any supplied care instructions.\n\nMatch the support to your pattern\n\nA sewing pattern may call for lightweight fusible, woven, stretch or firm interfacing. Those terms are not interchangeable. Start with the pattern's recommendation and consider what the supported area is meant to do.\n\nThis soft fusible interfacing is a candidate when the instructions call for a light iron-on layer. It is not automatically suitable when the design needs a crisp, rigid panel or a thick layer of padding. Adding more layers without testing can also change the way a piece folds and sews.\n\nIf you are choosing dressmaking interfacing for a new pattern, test the smallest useful section first. A collar corner or pocket opening sample can tell you more than pressing a large piece and hoping it works. Judge the result against the design, not against a general idea that firmer must be better.\n\nCollars, cuffs and pocket details\n\nCollars and cuffs are listed applications for this roll. These parts often need a different feel from the body of a garment. A soft shirt fabric may drape nicely at the shoulder but need support where it folds around a neckline or wrist.\n\nFor collar interfacing, consider the shape you want after pressing and sewing. A relaxed collar and a sharply defined collar have different needs. This product's lightweight description is useful guidance, but it does not promise either finish on every fabric.\n\nCuff interfacing needs the same care. Test the fold and any layered sections so you can judge bulk as well as firmness. For pocket reinforcement, focus on the area your pattern marks for support. More coverage is not always necessary, especially when you want the surrounding fabric to keep its original drape.\n\nUsing it for bags and purses\n\nThe listed uses include handbags and purses. A lightweight layer may suit parts of an accessory where you want gentle support rather than a rigid shell. The right choice depends on both the outer fabric and the construction method.\n\nBefore selecting interfacing for handbags, look at the finished shape in your pattern. Does the bag need to stand upright on its own? Does the pattern call for a separate firm support? If so, do not assume a soft, thin product can do that job by itself.\n\nFor purse interfacing, make a sample with the layers your pattern actually uses. Include the lining if it affects the final feel. Bend the sample and examine the seams or folds. This gives you a more useful check than judging the interfacing alone straight from the roll.\n\nWhat to check with knits and light fabrics\n\nJersey and knits appear in the suggested uses, but the maker does not give measured stretch or recovery figures. That means suitability needs to be checked on your own fabric. Fusing can change how a stretch fabric moves.\n\nWhen testing interfacing for knits, compare the supported sample with an untreated scrap. See whether the part still stretches as much as the pattern needs. A stable detail can be helpful in one area and restrictive in another.\n\nLight and sheer fabrics need a visual check as well. White interfacing may show through, even when the layer itself is thin. Look at the sample in daylight and under the lighting where the garment is likely to be worn. Pay attention to the edges, since a supported area may look different from the fabric beside it.\n\nPlan your cutting before you start\n\nBegin by identifying every pattern piece that needs interfacing. Note whether the instructions call for a full piece, a partial section or a particular seam allowance. Follow those directions rather than adding support to every part.\n\nNext, arrange the pieces within the 40 cm width. Check the layout before cutting either material. This is especially useful for larger facings or accessory panels that might not fit in one piece.\n\nCut only when you are happy with the product choice and layout. The roll is supplied for you to cut at home, and the return terms require change-of-mind fabric to remain uncut and unused. Keeping the roll intact while you review the pattern avoids an unnecessary problem if the width or support level is wrong.\n\nCare for the project and the remaining roll\n\nThe maker does not state washing temperatures, drying limits or dry-cleaning suitability in the maker's description. Avoid guessing based only on the outer fabric. A finished item includes both fabric and adhesive, so the care method needs to suit the whole piece.\n\nFollow any instructions supplied with the interfacing and test care on a fused sample. Look for changes in shape, feel or adhesion before applying the same method to your finished work.\n\nStore the unused roll somewhere clean and dry, away from direct sunlight and heat. Keep dust off the adhesive surface and avoid leaving it beside a hot iron. A protected roll is easier to bring back to the sewing table when the next project calls for a non-woven fabric stabiliser.\n\nCheck delivery and returns before ordering\n\nFor delivery in Canada, check the current estimate for your address. The maker does not state a handling or shipping lead time, so it would be unwise to plan a time-sensitive project around an assumed arrival date.\n\nThe return window is 14 days from delivery. For a change-of-mind return, the fabric must be unwashed, uncut, unused and in its original packaging, and the customer pays return postage. Check the roll and review your project needs before altering it.\n\nIf the goods are faulty or wrongly described, the store will put that right free of charge. Contact us with the issue rather than treating a fault as an ordinary change-of-mind return.\n\nThe short version\n\nChoose this roll when you need lightweight iron-on fabric support and your pieces fit its 40 cm width. It provides one white roll, 54.7 yards (50 m) long, for you to cut as needed.\n\nLet your pattern guide the choice. Test heat, appearance and finished feel on a scrap before working on the main pieces. A little preparation makes it much easier to decide whether this soft support layer belongs in your next project.", "llm_summary": "This product is one roll of white lightweight fusible interfacing for sewing. The roll measures 40 cm (15.7 in) wide and 54.7 yards (50 m) long. It has a soft, thin non-woven construction and PES adhesive for iron-on application. Suggested uses include collars, cuffs, pockets, garments, handbags and purses. The textured adhesive side is placed against the reverse of the fabric. The listed pressing time is 20 to 30 seconds; a numerical iron temperature is not specified by the maker. Listed product dimensions are 39.88 x 11.99 x 11.99 cm, with a weight of 930 g. Exact fibre composition, weight per square metre and country of origin are not specified by the maker. Test fabric compatibility first.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/lightweight-fusible-interfacing-54-yards/", "canonical_url": "https://fabriccompany.net/lightweight-fusible-interfacing-54-yards/", "json_url": "https://fabriccompany.net/api/products/lightweight-fusible-interfacing-54-yards.json", "updated_at": "2026-11-13" }, { "id": "medium-weight-fusible-interfacing-30-yards", "sku": "medium-weight-fusible-interfacing-30-yards", "title": "White Medium Weight Iron-On Interfacing Roll, 30 Yards", "slug": "medium-weight-fusible-interfacing-30-yards", "price": 86.99, "currency": "CAD", "availability": "in_stock", "category": "interfacing-and-wadding", "category_label": "Interfacing And Wadding", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "721 g", "images": [ "https://fabriccompany.net/dropship-images/interfacing-and-wadding/medium-weight-fusible-interfacing-30-yards/main-medium-weight-fusible-interfacing-30-yards.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/medium-weight-fusible-interfacing-30-yards/medium-weight-fusible-interfacing-30-yards-10.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/medium-weight-fusible-interfacing-30-yards/medium-weight-fusible-interfacing-30-yards-2.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/medium-weight-fusible-interfacing-30-yards/medium-weight-fusible-interfacing-30-yards-3.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/medium-weight-fusible-interfacing-30-yards/medium-weight-fusible-interfacing-30-yards-4.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/medium-weight-fusible-interfacing-30-yards/medium-weight-fusible-interfacing-30-yards-5.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/medium-weight-fusible-interfacing-30-yards/medium-weight-fusible-interfacing-30-yards-6.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/medium-weight-fusible-interfacing-30-yards/medium-weight-fusible-interfacing-30-yards-7.jpg" ], "description_short": "A white medium-weight roll with one-sided heat-activated adhesive adds support where your fabric needs it.", "description": "A fabric can look right for a project yet still need help holding its shape. A garment detail may need a firmer feel, or a home decor piece may need more body than the outer fabric provides on its own. Interfacing adds a supporting layer so you can change how the fabric behaves without replacing it.\n\nThe important part is choosing the right level of support. More stiffness is not always better. You want the finished piece to hold its intended shape while keeping the movement and feel that make sense for the design.\n\nThis iron on interfacing is a white, medium-weight option supplied as one roll. It measures 42 cm (16.5 in) wide and 30 yards (27.4 m) long. Here is what to consider before adding it to your sewing supplies.\n\nWhat this roll is designed to do\n\nInterfacing sits alongside your main fabric as a supporting layer. In a typical sewing project, that support is used only where it is needed, rather than across every piece. Your pattern is a useful starting point because it should identify the areas that require reinforcement.\n\nThe stated uses for this roll include garment reinforcement, adding body to quilting projects, crafts, and home decor. Those are broad uses, not a guarantee that it will suit every material or design within them.\n\nThink about the finished result first. Does the area need to stay fairly soft, hold a defined edge, or resist folding? That question is more useful than choosing interfacing by project name alone. Two projects that both need support can still call for different weights.\n\nHow the fusible backing works\n\nThis is one-sided fusible interfacing. Heat from an iron activates the adhesive on one face, allowing it to bond to a suitable fabric. That is the main difference between this product and a support layer that relies on stitching alone.\n\nThe maker does not state a pressing temperature, holding time, or steam setting. There is no reliable reason to fill those gaps with a general setting from another product. Check the instructions that arrive with the roll before starting.\n\nYour outer fabric also matters. If it cannot tolerate the heat needed for bonding, an iron-on fabric backing may not be the right approach. A pattern recommendation does not override the care limits of the material you have chosen.\n\nBefore pressing, identify the adhesive side using the supplied guidance. Take time with this step rather than guessing and risking adhesive contact with the wrong surface.\n\nIs medium weight the right choice?\n\nMedium weight is a support category. It is not an exact measure of how every finished project will feel. The outer fabric and the size of the reinforced area both affect the result.\n\nFor example, a small reinforced detail can feel quite different from a broad panel made with the same materials. That is why a sample is helpful even when you have used interfacing for sewing before.\n\nIf your pattern specifies lightweight, heavyweight, stretch, or sew-in interfacing, do not assume a medium-weight fusible roll is an equal substitute. Check what the pattern is trying to achieve before changing the recommendation.\n\nThe maker does not state a weight per square metre in the maker's description. The listed 721 g is the item weight, not a measure you can use to compare the fabric density with another interfacing.\n\nCheck the width before the length\n\nA long roll can cover many small pieces, but width still sets a limit. This roll is 42 cm (16.5 in) wide. Start by measuring the widest piece that needs a continuous layer of support.\n\nPlace your paper pattern pieces within that width to make a realistic layout. This helps you see how much length the project will need and whether awkward shapes leave unused spaces. Do not assume that a roll will fit a piece simply because its total length is generous.\n\nThe supplied length is 30 yards (27.4 m). That can be useful if you repeat a pattern or work through several smaller projects. It also means you should think about storage and whether medium weight is a type you expect to use regularly.\n\nThe separate listed dimensions of 10 x 8 x 8 cm are product dimensions. They are not the usable width and length of the interfacing.\n\nMatch it to the project, not just the label\n\nFor clothing, begin with the sewing pattern. Interfacing for collars, for example, should support the shape the designer intended without creating an unwanted stiff edge. The same care applies when choosing interfacing for cuffs or waistbands.\n\nFor home decor, think about how the item will be handled. A decorative piece and something that is folded or cleaned often may have different needs. This product is listed for home decor use, but its washing conditions are not given by the maker by the maker.\n\nCraft projects also benefit from a sample. If you are making several matching pieces, test the full layer arrangement before cutting the whole batch. It is easier to change course after one sample than after preparing every part.\n\nFor quilting, keep the role of each layer clear. This product adds support and body. It is not described as padded wadding, so do not choose it on the assumption that it will provide the same loft.\n\nMake a sample that answers useful questions\n\nA good sample should help you decide whether to continue, not simply show that two layers can stick together. Use a scrap of the actual outer fabric wherever possible, and follow the application instructions supplied with the roll.\n\nOnce the sample is ready to assess, compare it with an unfused piece. Look at the face of the fabric. Check whether the white backing is visible, whether the surface has changed, and whether the supported piece bends as you want it to.\n\nHandle it in a way that reflects the project. A piece that will fold needs a different check from one intended to remain flat. If the design needs stretch, confirm that the sample still has the movement required.\n\nThere is a return-policy detail to settle before testing. Cutting or using the roll means it no longer meets the stated change-of-mind return conditions. Inspect the unopened or unused product information first, and only cut once you have decided to proceed.\n\nPlan your cutting and pressing\n\nOnce the product is right for your needs, use your pattern instructions to decide which pieces require support. There is no need to add interfacing to an area simply because you have plenty left on the roll.\n\nPlan the cutting layout before making the first cut. A 42 cm wide interfacing roll rewards a little care with placement, especially when you have several small shapes. Keep usable offcuts together if they may suit a later detail.\n\nArrange a clear pressing area and keep the rest of the roll away from direct heat. Read both the fabric guidance and the interfacing instructions before applying the iron.\n\nAvoid changing several application steps at once during a test. If the result is poor, checking each step against the supplied directions is more useful than repeatedly increasing the heat or pressing for longer without guidance.\n\nCare starts with the finished fabric layers\n\nThe maker does not state washing or tumble-drying settings for this product. It also does not confirm how the adhesive will behave under a particular cleaning routine. That matters if your finished item will need frequent washing.\n\nCheck the supplied label for care details before making a washable project. Where suitable, test the planned cleaning method on a fused sample and examine it afterwards. Look for changes in shape, surface appearance, or the bond between layers.\n\nDo not rely on the outer fabric's care label alone if the added interfacing has different limits. The finished item contains both, so your care plan needs to account for both.\n\nStore the unused roll somewhere clean and dry, away from direct heat. Keep its instructions with it so you do not have to reconstruct the application method when you return to it months later.\n\nOrdering and checking your roll\n\nOn arrival, check the description and any supplied label before cutting, washing, or applying it.\n\nWe sell in Canada, but a delivery lead time is not given by the maker. Check the current delivery information before ordering if your sewing project has a deadline.\n\nReturns are accepted within 14 days from delivery for fabric that is unwashed, uncut, unused, and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nKeeping those conditions in mind helps you make the checks in the right order. Review the product first, then move on to cutting and testing when you are ready to use it.\n\nThe short version\n\nChoose this roll when your project calls for white medium-weight fusible support and your fabric is suitable for heat bonding. Check the 42 cm (16.5 in) width against your pattern, not just the 30 yards (27.4 m) of length.\n\nRead the supplied application instructions, test carefully, and judge the finished feel before preparing every piece. A little planning helps you get useful support without losing the character of the fabric you chose.", "llm_summary": "This product is one roll of white medium-weight iron-on interfacing. The roll measures 42 cm (16.5 in) wide and 30 yards (27.4 m) long. It has heat-activated adhesive on one side and is intended to support garments, quilting projects, crafts, and home decor. Listed item weight is 721 g, with listed product dimensions of 10 x 8 x 8 cm. Fusing temperature, pressing time, steam setting, and washing instructions are not specified by the maker. Fabric compatibility should be checked on a scrap before use. Returns are allowed within 14 days from delivery for unwashed, uncut, unused fabric in original packaging, with customer-paid return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/medium-weight-fusible-interfacing-30-yards/", "canonical_url": "https://fabriccompany.net/medium-weight-fusible-interfacing-30-yards/", "json_url": "https://fabriccompany.net/api/products/medium-weight-fusible-interfacing-30-yards.json", "updated_at": "2026-11-13" }, { "id": "natural-cotton-quilt-batting-47-x-59-inch", "sku": "natural-cotton-quilt-batting-47-x-59-inch", "title": "Natural Cotton Quilt Batting 47 x 59 Inch", "slug": "natural-cotton-quilt-batting-47-x-59-inch", "price": 41.99, "currency": "CAD", "availability": "in_stock", "category": "interfacing-and-wadding", "category_label": "Interfacing And Wadding", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "358 g", "images": [ "https://fabriccompany.net/dropship-images/interfacing-and-wadding/natural-cotton-quilt-batting-47-x-59-inch/main-natural-cotton-quilt-batting-47-x-59-inch.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/natural-cotton-quilt-batting-47-x-59-inch/natural-cotton-quilt-batting-47-x-59-inch-2.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/natural-cotton-quilt-batting-47-x-59-inch/natural-cotton-quilt-batting-47-x-59-inch-4.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/natural-cotton-quilt-batting-47-x-59-inch/natural-cotton-quilt-batting-47-x-59-inch-5.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/natural-cotton-quilt-batting-47-x-59-inch/natural-cotton-quilt-batting-47-x-59-inch-6.jpg", "https://fabriccompany.net/dropship-images/interfacing-and-wadding/natural-cotton-quilt-batting-47-x-59-inch/natural-cotton-quilt-batting-47-x-59-inch-7.jpg" ], "description_short": "One easy-to-cut cotton piece adds a warm layer to quilts, wall hangings and wearable art.", "description": "A quilt top can look finished long before it feels like a quilt. Without a filling layer, the top and backing may not have the softness or body you had in mind. Cotton quilt batting provides that middle layer, ready to be held in place by your quilting stitches.\n\nChoosing it starts with a few practical checks. You need enough material for your project, a feel that suits the finished piece, and care instructions that work with your fabrics. This piece measures 119 x 150 cm (47 x 59 in). Knowing that fixed size helps you decide whether it belongs in your sewing basket before you start cutting.\n\nWhat quilt batting does\n\nA quilt usually brings together a pieced or plain top, a filling layer and a backing. The batting sits in the middle. Quilting stitches pass through the layers to hold them together and create the surface pattern.\n\nThat middle layer affects how the finished work feels in your hands. It adds body beneath the fabric and gives the stitching something to shape. The result also depends on your top fabric, backing and quilting pattern, so batting alone does not determine the final finish.\n\nThis natural cotton batting is described as soft, warm and lightweight. It has an even texture intended for cutting and layering. Those are useful starting points, but a small stitched sample will tell you more about your own fabric combination than a description can.\n\nUnderstand the size before choosing\n\nThis product supplies one piece, not a roll or a length cut to your request. The piece measures 119 x 150 cm (47 x 59 in). Begin with the batting measurements in your pattern rather than the finished quilt dimensions.\n\nMany quilting methods need extra material beyond the edges of the quilt top. That margin gives you room to position the layers and trim after quilting. The amount depends on how you plan to work. If someone else will quilt the project, ask them what allowance they need before buying.\n\nDraw a simple cutting plan on paper. Mark the full piece, then place your project shapes inside it with their required margins. This is especially helpful when using small quilt batting for several separate pieces. A layout that looks roomy in your head can become tight once allowances are included.\n\nDo not count on stretching the batting to make it fit. Plan around the stated size and keep enough room to work without pulling the sheet out of shape.\n\nRead the weight figures correctly\n\nThe stated weight per area is 200 g/m². You may also see this written as 200gsm cotton batting when comparing quilting supplies. It describes weight over an area, not thickness.\n\nThe listed item weight is 358 g. That is a separate figure and should not be treated as a shipping weight. Neither number tells you exactly how much loft the batting will have under your chosen stitches.\n\nA measured thickness is not provided. There is also no stated warmth rating. If your project depends on a very specific loft, ask for more detail before ordering. Choosing by an unconfirmed thickness can lead to a different result from the one your pattern designer intended.\n\nMatch it to the project\n\nA piece this size is worth considering for smaller quilted work, provided your full batting requirement fits. A quilted wall hanging, a compact quilt or a wearable art panel can each call for a different balance of softness and shape.\n\nFor a wall hanging, think about how you want the surface to look. Closely spaced quilting and open areas can give different effects. Make a test panel if the stitching pattern is an important part of the design.\n\nFor wearable art batting, pay attention to seams and movement. Several fabric layers can become bulky where pieces meet. Fold and stitch a sample to check how it bends before you cut the main pattern.\n\nThe source also mentions potholders, but it does not provide a heat-protection rating. A suggested craft use is not proof of protection from hot cookware. Microwave suitability is not stated either. Choose materials with confirmed suitability when heat exposure is part of the intended use.\n\nCheck what is known and what is missing\n\nThe product details identify the batting as cotton and list its colour as white. They do not state a country of origin or provide certifications. The word natural should not be read as a claim of certified organic production.\n\nSome construction details are also missing. Maximum quilting distance, shrinkage rate and measured loft are not given by the maker. These gaps matter more for some projects than others.\n\nFor example, a design with large unstitched areas needs a confirmed maximum distance between quilting lines. A fitted textile project may need a reliable shrinkage figure. If either detail is central to your plan, get an answer before buying rather than hoping the material will behave a certain way.\n\nInspect it before cutting\n\nOpen the package carefully and keep the packaging while you check the piece.\n\nThe supplied notes explain that compression packaging can make the batting appear thin or feel less soft at first. Unfold it gently on a clean surface so you can inspect it. Avoid pulling hard at corners or trying to force it into a larger shape.\n\nUse this stage to review your cutting layout once more. Check the direction and size of each planned piece against your pattern. A short pause here can prevent the most frustrating mistake, cutting the first section before leaving room for the next.\n\nBuild a small test sandwich\n\nA sample quilt sandwich is a useful way to check the whole combination. Use offcuts of the actual top and backing fabrics, with a small piece of the cotton quilt filling between them.\n\nTry the thread and needle you expect to use. Look at both sides after stitching. Check whether the layers sit as you want them to and whether the amount of quilting gives the right feel.\n\nIf you expect to wash the finished work, wash the sample using the planned method. This will not establish a guaranteed shrinkage rate for every project, but it can show how that particular combination responds. Keep any observations with your pattern so you can refer to them later.\n\nRemember that cutting a test piece means the batting is no longer uncut. Complete your return checks before taking that step.\n\nCut and layer with care\n\nWork on a clean, broad surface where the sheet can lie flat. Support the material rather than letting most of it hang over an edge. Mark the size your pattern requires, including the allowance for quilting.\n\nSharp fabric scissors are a straightforward option. A rotary cutter can also be used with a suitable cutting mat. Choose the tool you can control comfortably, particularly around corners or smaller shapes.\n\nWhen assembling the quilt sandwich layer, smooth each part without stretching it. Secure the layers using the method suited to your project. Since the maker does not state maximum stitch spacing here, do not assume that widely separated quilting lines will provide enough support.\n\nKeep usable offcuts clean and together. Measuring and labelling them makes it easier to see whether they fit a later small project.\n\nCare for the finished quilt\n\nDo not prewash the loose batting. The supplied washing advice applies after it has been secured within a finished quilt.\n\nUse cold water and a small amount of liquid soap. The washing machine should have enough room for the quilt to move. Low tumble drying is listed, but only use it if the other parts of your project allow it.\n\nThe most delicate component sets the care limit. A trim, printed fabric or backing may need gentler treatment than the batting itself. Check those instructions before deciding how to wash the finished piece.\n\nFor a gift, include the care instructions you followed. The recipient should not have to guess how to clean handmade work. A short note can also explain any fabric-specific limits.\n\nPlan delivery and keep your options open\n\nIf the quilt is for a birthday, exhibition or other fixed date, confirm delivery information before you commit to a sewing schedule. The maker does not state a delivery timeframe.\n\nAllow time to inspect the batting and make a sample, not just time to sew. Discovering a size mismatch on the day you planned to start quilting can put the whole project under pressure.\n\nReturns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nChoose this cotton quilt batting when one 119 x 150 cm (47 x 59 in) piece fits your project and its required allowances. It offers an easy-to-cut cotton middle layer for quilted work, with care guidance for washing after construction.\n\nCheck any missing specification that your pattern depends on, especially stitch spacing or shrinkage. Then inspect, plan and test before committing your main fabrics. A little care at the start gives you a clearer path from a finished quilt top to a finished quilt.", "llm_summary": "This natural cotton quilt batting is supplied as one piece measuring 119 x 150 cm (47 x 59 in). The maker describes white cotton with a solid appearance, an even texture and a lightweight feel. The stated weight per area is 200 g/m² and the item weight is 358 g. Suggested uses include quilts and wearable art. Do not prewash the loose batting. Finished quilts may be washed in cold water with a small amount of liquid soap and tumble dried on low if their other components permit. Thickness, shrinkage rate, stitch spacing, country of origin and certifications are not specified by the maker.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/natural-cotton-quilt-batting-47-x-59-inch/", "canonical_url": "https://fabriccompany.net/natural-cotton-quilt-batting-47-x-59-inch/", "json_url": "https://fabriccompany.net/api/products/natural-cotton-quilt-batting-47-x-59-inch.json", "updated_at": "2026-11-13" }, { "id": "cotton-fat-quarter-bundle-10-piece", "sku": "cotton-fat-quarter-bundle-10-piece", "title": "Honey Bee Cotton Fat Quarter Bundle, 10 Pieces", "slug": "cotton-fat-quarter-bundle-10-piece", "price": 63.99, "currency": "CAD", "availability": "in_stock", "category": "quilting-fabrics", "category_label": "Quilting Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "372 g", "images": [ "https://fabriccompany.net/dropship-images/quilting-fabrics/cotton-fat-quarter-bundle-10-piece/main-cotton-fat-quarter-bundle-10-piece.jpg", "https://fabriccompany.net/dropship-images/quilting-fabrics/cotton-fat-quarter-bundle-10-piece/cotton-fat-quarter-bundle-10-piece-2.jpg", "https://fabriccompany.net/dropship-images/quilting-fabrics/cotton-fat-quarter-bundle-10-piece/cotton-fat-quarter-bundle-10-piece-3.jpg", "https://fabriccompany.net/dropship-images/quilting-fabrics/cotton-fat-quarter-bundle-10-piece/cotton-fat-quarter-bundle-10-piece-4.jpg", "https://fabriccompany.net/dropship-images/quilting-fabrics/cotton-fat-quarter-bundle-10-piece/cotton-fat-quarter-bundle-10-piece-5.jpg", "https://fabriccompany.net/dropship-images/quilting-fabrics/cotton-fat-quarter-bundle-10-piece/cotton-fat-quarter-bundle-10-piece-6.jpg" ], "description_short": "Ten printed cotton pieces give you a choice of designs for patchwork, small sewing projects and handmade gifts.", "description": "A small project should not need a large fabric purchase\n\nChoosing fabric for patchwork can take longer than the sewing itself. You might need several prints, yet only a small amount of each. Buying a separate length for every block can leave you with more fabric than your project needs.\n\nA fat quarter bundle offers a different starting point. This pack contains ten printed cotton pieces in a honey bee design range, with one piece of each design. You can lay them out together and decide where each print belongs before reaching for your scissors.\n\nThe format is most useful when your project needs several smaller sections rather than one large, unbroken piece. Think of a patchwork panel, a small bag or a set of fabric decorations. The right choice still depends on your pattern, especially its cutting sizes and seam allowances.\n\nWhat you receive in this bundle\n\nThe bundle is described as ten fat quarters, each measuring 46 x 53 cm (18 x 21 in). These are separate precut pieces.\n\nThe detailed specifications identify the fabric as 100% cotton with a plain weave. The range is called Honey Bees. Those facts give you a useful basis for comparing it with the material requirements in a sewing pattern.\n\nThere is an important measurement issue to consider. Other fields in the source description contain dimensions that do not match the stated piece size. If your project depends on getting an exact number of shapes from each fat quarter, ask for confirmation before ordering.\n\nHow fat quarters help with patchwork planning\n\nA precut piece gives you a defined space to work within. Rather than cutting from a long length, you plan your squares, rectangles or other shapes inside that piece. This can make it easier to assign different prints to different parts of a design.\n\nStart with the cutting measurements in your pattern, not just the finished block size. A finished square needs extra fabric around its edges for seams. Some techniques also need room for trimming after the pieces are joined.\n\nPaper templates can help you test a layout without cutting any fabric. Mark out the stated piece size on paper and arrange the required shapes inside it. Leave room for squaring the edges and check whether the print needs to face a certain direction. This step is worth taking when a cutting plan looks close.\n\nWho this quilting fabric pack may suit\n\nThis pack may suit someone who enjoys a bee theme and wants several prints for smaller sewing work. It gives you ten designs to consider without having to build a selection one fabric at a time.\n\nFor a newer sewer, a simple patchwork project can make the most of that variety. A pattern with clear cutting instructions is easier to assess than an idea with no measurements. You can check what fits before spending time preparing the fabric.\n\nMore experienced makers may want a patchwork cotton bundle for accent blocks or small panels. The same size limits apply at every skill level. If a pattern needs a broad, continuous section, a fat quarter cannot replace that section just because the total fabric area seems large enough.\n\nChoose the project before making the first cut\n\nIt is tempting to start cutting as soon as a fabric pack arrives. A better first step is to decide what you want to finish and read the whole pattern.\n\nLook for the material type, number of cuts and largest required piece. Then check the supplies beyond the printed fabric. A cushion may need backing and a closure. A bag may call for lining, interfacing or straps. A quilt will need its own plan for backing and batting.\n\nFor fabric for small sewing projects, this check can be quick. Write down each required shape, group the shapes by print and see whether they fit. If a piece is too small, change the layout or choose a different project before cutting. That leaves more options open.\n\nWorking with a honey bee theme\n\nA shared theme gives a project a clear starting point, but you still need to decide how the prints will sit together. Lay out all ten pieces where you can see them at once.\n\nLook at contrast and the apparent size of each motif. Place two prints side by side and ask whether the seam between them will be clear. If the block shapes seem lost, you could consider adding a separate plain fabric to create more space around the prints.\n\nCheck direction as well. The maker does not specify whether every design is directional. A motif that faces the wrong way may not trouble you in a scrap quilt, but it could matter on the front of a bag. Decide before you cut, not after the seams are sewn.\n\nAllow for more than the visible patchwork\n\nA common planning mistake is to count only the fabric seen on the front of the finished item. Hidden layers and finishing details may need just as much thought.\n\nA patchwork cushion front does not provide its own back. A lined pouch needs fabric inside as well as outside. Binding takes strips, joins and enough extra length to finish the edges.\n\nIf you plan to cut binding from the cotton fat quarters, work out the strip layout separately. Every join uses some length. Avoid counting the same part of a fat quarter twice, once for a block and again for the binding. A simple sketch of each piece can keep the plan clear.\n\nCheck the fabric before washing or cutting\n\nWhen the pack arrives, unfold the pieces and compare them with your project plan. Check the count, inspect the prints and measure the usable fabric.\n\nLook at the fabric before changing it. If something appears faulty or differs from the description, contact us first. Washing or cutting can make the issue harder to assess.\n\nThis inspection also protects your change-of-mind return options. Returns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. Keep the packaging while you decide whether the bundle is right for your project.\n\nDecide whether to prewash\n\nMachine washing and hand washing are both listed for this printed cotton fabric. The maker does not give a washing temperature, drying setting or measured shrinkage percentage.\n\nYour pattern and any care label supplied with the fabric should guide preparation. If you choose to prewash, allow the fabric to dry and press it before measuring for your cuts. Do not assume the usable dimensions will remain unchanged.\n\nTesting an offcut for colour transfer is sensible before combining prints with pale fabrics. Bear in mind that washing changes the return position. If you are still deciding whether to keep the bundle, settle that question before putting it in water.\n\nCut with the whole layout in mind\n\nOnce you have checked and prepared the fabric, revisit the cutting plan. Start by identifying the larger required shapes. Small pieces are often easier to fit around larger cuts than the other way round.\n\nUse suitable measuring tools and a stable work surface. Keep your pattern nearby and check each measurement before cutting. For directional prints, mark the intended top of a piece in a way that will not damage the fabric.\n\nSave useful offcuts rather than clearing them away at once. They may work for a small detail or a test seam. Keeping them grouped by design also makes it easier to see what remains if you need to adjust the layout later.\n\nCaring for the finished project\n\nThe care needs of the finished item may differ from those of the fabric alone. A bag with hardware or a cushion with a special filling may need a different approach from a plain patchwork panel.\n\nFollow the care instructions for all the materials you add. Where those instructions differ, choose a method that is suitable for the complete item rather than relying only on the cotton fabric's listed wash methods.\n\nStore unused pieces clean and dry, away from damp and direct sunlight. Label useful remnants with their measurements if that helps you use them later. It is much easier to plan a small repair when you can find the matching print.\n\nDelivery, gifts and returns\n\nThe maker lead time is not stated by the maker. If you need the bundle for a class, a birthday or a planned sewing day, confirm the current delivery estimate before ordering.\n\nAs a gift, it makes sense for someone who already enjoys bee-themed patchwork or cotton crafts. Personal taste matters, so consider whether they like the prints and tend to make projects that use fat quarters.\n\nFor a change-of-mind return, the customer pays return postage and the fabric must meet the stated condition requirements. Faulty or wrongly described goods are put right free of charge. Contact us promptly if there is a problem.\n\nThe short version\n\nThis fat quarter bundle brings together ten honey bee themed cotton prints in separate precut pieces. It is worth considering for patchwork and smaller sewing projects whose cutting plans fit the stated 46 x 53 cm pieces.\n\nA little planning helps you choose a project that makes good use of the whole pack.", "llm_summary": "This honey bee themed fat quarter bundle contains 10 printed cotton pieces, with one piece of each design. The stated size of each piece is 46 x 53 cm (18 x 21 in). Fabric specifications list 100% cotton and a plain weave. Machine washing and hand washing are listed care methods. The recorded weight is 372 g. Country of origin, washing temperatures and shrinkage percentage are not specified by the maker. Change-of-mind returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/cotton-fat-quarter-bundle-10-piece/", "canonical_url": "https://fabriccompany.net/cotton-fat-quarter-bundle-10-piece/", "json_url": "https://fabriccompany.net/api/products/cotton-fat-quarter-bundle-10-piece.json", "updated_at": "2026-11-13" }, { "id": "floral-cotton-charm-squares-50-piece", "sku": "floral-cotton-charm-squares-50-piece", "title": "Floral Cotton Charm Squares, 50 Piece Pack", "slug": "floral-cotton-charm-squares-50-piece", "price": 19.99, "currency": "CAD", "availability": "in_stock", "category": "quilting-fabrics", "category_label": "Quilting Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "80 g", "images": [ "https://fabriccompany.net/dropship-images/quilting-fabrics/floral-cotton-charm-squares-50-piece/main-floral-cotton-charm-squares-50-piece.jpg", "https://fabriccompany.net/dropship-images/quilting-fabrics/floral-cotton-charm-squares-50-piece/floral-cotton-charm-squares-50-piece-3.jpg", "https://fabriccompany.net/dropship-images/quilting-fabrics/floral-cotton-charm-squares-50-piece/floral-cotton-charm-squares-50-piece-5.jpg", "https://fabriccompany.net/dropship-images/quilting-fabrics/floral-cotton-charm-squares-50-piece/floral-cotton-charm-squares-50-piece-7.jpg", "https://fabriccompany.net/dropship-images/quilting-fabrics/floral-cotton-charm-squares-50-piece/floral-cotton-charm-squares-50-piece-8.jpg" ], "description_short": "Start with 50 precut floral cotton squares and spend less time cutting individual pieces.", "description": "A simpler start for a patchwork idea\n\nA patchwork project can stall before the first seam. You need to choose fabric, work out how much to buy and cut it into pieces that match. If you want to begin with a layout rather than a cutting session, precut squares offer a useful starting point.\n\nThis pack contains 50 floral cotton squares. Each measures 12.7 x 12.7 cm, or 5 x 5 inches. You get 50 different floral patterns, with one piece of each, so there is room to play with the arrangement before you sew.\n\nThe main question is whether that size and assortment suit your plan. A cotton quilting bundle is an ingredient, not a complete kit. It helps to choose a project first, then check what else you will need.\n\nWhat charm pack squares do for you\n\nCharm pack squares give you a repeated starting shape. Instead of cutting every square from larger lengths of fabric, you can spread the pieces out and begin comparing prints.\n\nThat does not mean every pattern can be made without more cutting. Some designs use whole squares, while others divide them into smaller shapes. Read the cutting instructions before you buy, especially when a pattern uses several precut sizes.\n\nThese are 5 inch fabric squares, not finished 5 inch patchwork blocks. Seams take up part of each piece, and trimming may reduce it further. Use the finished measurements in your pattern when planning a cushion, quilt panel or other sewn item.\n\nThe pack is sold as precut pieces.\n\nUnderstanding the fabric details\n\nThe fabric is described as 100% cotton with a sateen weave and a 200 thread count. The product details also use the term Satin in the weave field. Those are the listed details, rather than a promise about how the fabric will perform in every project.\n\nWeave and fibre content are useful when comparing materials, but they do not tell you everything. The maker does not specify shrinkage, colourfastness test results or a pressing temperature. If those points matter to your design, allow time to test before committing the whole pack.\n\nThe listed item weight is 80 g. This is not a fabric weight per square metre, so it should not be used as one when comparing cloth. For a project that requires a particular fabric weight or stiffness, seek that information before ordering.\n\nWorking with 50 different floral patterns\n\nA floral charm pack can be enjoyable because you do not need to repeat one print throughout the work. Here, each of the 50 patterns appears once. That gives the project variety, but it also means you should not rely on having several matching pieces.\n\nStart by laying out the squares without sewing them. Look at which prints catch your eye first and which sit more quietly in the background. Move a few pieces, step back, and see whether the balance feels right.\n\nThe exact colour palette and individual design names are not specified by the maker. Use the images as a visual guide, but avoid building a project around an exact colour match that has not been confirmed.\n\nIf your pattern depends on repeated matching blocks, check its requirements carefully. A varied assortment works differently from a pack containing several copies of each print.\n\nChoosing a manageable first project\n\nFor a first attempt, a small patchwork panel lets you practise joining squares without committing to a large quilt. You can focus on seam consistency and keeping the rows in order.\n\nA patchwork cushion cover is another possible direction. The squares can form the front panel, while your chosen pattern tells you what you need for the back and closure. Do not assume those extra materials come with the pack.\n\nSmall sewing projects such as pouches can also use pieced panels. They may need lining or interfacing to create the shape you want. Check those needs before cutting, since fabric squares alone do not make a complete bag kit.\n\nIf you prefer a quilt, choose the pattern before deciding how many packs to buy. The number of starting squares is only one part of the calculation.\n\nChecking quantity before you order\n\nCount the pieces your pattern calls for and compare that number with the 50 squares supplied. Then check whether all those pieces must be different, repeated or grouped by colour.\n\nA design that needs matching pairs may not suit an assortment with one piece of each print. You might prefer a layout that treats each square as its own part of the whole.\n\nAlso read the requirements for background fabric, borders and backing. Those materials can change the finished size and look far more than the precut count alone suggests.\n\nAvoid estimating a quilt's final size by simply placing 50 unsewn squares side by side. Seams and trimming change the measurements. The pattern should be your guide to finished dimensions and total fabric needs.\n\nPlanning the layout before sewing\n\nGive yourself a clear surface and arrange the patchwork fabric squares where you can see them together. It is easier to change a layout at this stage than after joining rows.\n\nTake a photo once you find an arrangement you like. The photo can help you spot a misplaced piece and gives you a reference if you need to clear the table.\n\nKeep rows in order as you lift them. A simple label or a separate stack for each row can save confusion, especially when every floral pattern is different.\n\nBefore sewing the main panel, check your seam allowance against the pattern. A consistent seam matters more than working quickly. Small differences can add up across several joined squares.\n\nWhat to check when the pack arrives\n\nOpen the packaging carefully and keep it until you have decided the fabric suits your project. Count the pieces and check their condition before washing or cutting anything.\n\nCompare the supplied size and floral assortment with the maker's description. Then look again at your pattern, including any preparation steps you may have missed.\n\nThis is also the right time to decide whether the prints work together for your purpose. You can arrange the unused squares without making a permanent change to them.\n\nThe stated return conditions require the fabric to be unwashed, uncut, unused and in its original packaging. Inspecting first gives you a chance to make that decision before starting work.\n\nCare and preparation without guesswork\n\nCold water is the stated care instruction. The maker does not provide a specific washing cycle, drying method or ironing temperature, so do not treat an unstated setting as approved.\n\nPrewashing small precuts needs thought. Washing can affect dimensions and cut edges, which may matter when your pattern expects the full starting size. Follow the pattern's preparation advice and consider a small test before treating all the pieces.\n\nLikewise, test before placing contrasting fabrics together if colour transfer would spoil the result. The maker does not provide colourfastness or shrinkage results.\n\nOnce the squares become a finished item, care also depends on the other materials you add. Backing, lining, batting and closures may have their own needs. Plan care for the whole project rather than the cotton alone.\n\nChoosing for gifts and deadline projects\n\nFabric squares for crafts can be a thoughtful gift when you know the recipient likes floral prints. The 5 inch format is worth checking, since some makers prefer larger pieces or work from patterns with other size requirements.\n\nIf you are buying for a planned class or gift deadline, check delivery information for your address before ordering. A lead time is not specified by the maker. Leave room for inspection, preparation and any extra supplies you need.\n\nFor change-of-mind returns, the stated window is 14 days from delivery. The fabric must be unwashed, uncut, unused and in its original packaging, and the customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nIt offers a way into patchwork without cutting every square from yardage.\n\nCheck your pattern's quantity, seam allowance and extra materials before buying. Inspect the pack before washing or cutting, and use cold water for care as stated. With those points settled, you can spend your time on the part that makes the project yours: choosing how the prints come together.", "llm_summary": "This pack contains 50 precut floral cotton squares for quilting and small sewing projects. Each square measures 12.7 x 12.7 cm, equivalent to 5 x 5 inches. There are 50 different floral patterns, with one piece per pattern. The fabric is described as 100% cotton with a sateen weave and a 200 thread count. Listed weight is 80 g. Care information specifies cold water. Exact colours, shrinkage and delivery lead time are not specified by the maker. Fabric returns are allowed within 14 days of delivery if unwashed, uncut, unused and in original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/floral-cotton-charm-squares-50-piece/", "canonical_url": "https://fabriccompany.net/floral-cotton-charm-squares-50-piece/", "json_url": "https://fabriccompany.net/api/products/floral-cotton-charm-squares-50-piece.json", "updated_at": "2026-11-13" }, { "id": "black-cambric-dust-cover-fabric", "sku": "black-cambric-dust-cover-fabric", "title": "Black Cambric Dust Cover Fabric", "slug": "black-cambric-dust-cover-fabric", "price": 52.99, "currency": "CAD", "availability": "in_stock", "category": "upholstery-fabrics", "category_label": "Upholstery Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "231 g", "images": [ "https://fabriccompany.net/dropship-images/upholstery-fabrics/black-cambric-dust-cover-fabric/main-black-cambric-dust-cover-fabric.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/black-cambric-dust-cover-fabric/black-cambric-dust-cover-fabric-4.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/black-cambric-dust-cover-fabric/black-cambric-dust-cover-fabric-5.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/black-cambric-dust-cover-fabric/black-cambric-dust-cover-fabric-6.jpg" ], "description_short": "This black non-woven polypropylene fabric has a little stretch to help you fit a neat cover beneath sofas, chairs and box springs.", "description": "A sofa can look perfectly good from above while its bottom cover hangs loose underneath. The same thing can happen to a favourite chair or a box spring. Before treating that torn layer as a reason to replace the whole item, check what actually needs attention.\n\nCambric dust cover fabric is intended for that hidden finishing job. It covers the underside without replacing the visible upholstery. If the frame and supports are sound, a fresh cover can make the bottom look tidy again.\n\nThis piece is black non-woven polypropylene, supplied at 152 x 274 cm (60 x 108 in). Whether it suits your project comes down to the measurements, the furniture's condition and how you plan to attach it.\n\nWhat the bottom cover does\n\nThe underside fabric has a different job from the upholstery you sit on. It finishes the area below the furniture and covers what would otherwise be an open underside. That is why upholstery underlining fabric should be chosen for its intended role, rather than treated as general-purpose seat fabric.\n\nA torn cover and a broken support are separate problems. Replacing the fabric may improve the appearance of the underside, but it will not correct a damaged frame or worn seating support. Look beyond the loose cloth before deciding what to buy.\n\nFor a straightforward dust cover replacement, this distinction is useful. You can focus on the finishing layer without planning a full reupholstery job. If you find other damage, deal with that before covering the area again.\n\nUnderstanding this piece of fabric\n\nThe supplied material is non-woven 100% polypropylene. Its stated fabric weight is 1.2 oz per square yard, and the listed item weight is 231 g.\n\nStretch is also listed as a feature. A little give can help when fitting material around corners and curves. The amount of stretch is not stated, though, so it should not be used to make up for a piece that is too small.\n\nThe nominal piece size is 152 x 274 cm (60 x 108 in). The maker's description also lists dimensions of 274.32 x 152.4 x 0.1 cm. For planning your project, use the supplied piece size and leave enough room for attachment edges.\n\nYou receive one piece, not a custom-cut cover. It still needs to be measured and fitted to your furniture. No tools or fixings are listed as part of the supply.\n\nWho this fabric suits\n\nThis furniture dust cover fabric is intended for underside work on sofas, chairs and box springs. It may suit a home repair where the original bottom cloth is torn, loose or missing, while the rest of the furniture remains serviceable.\n\nIt also suits someone planning a hidden finishing layer during an upholstery project. Black upholstery lining can give the underside a consistent appearance without changing the fabric on the visible parts of the furniture.\n\nIt is not listed as fabric for seat cushions, decorative covers or outdoor protection. Waterproof performance and certifications are not specified. If your project depends on a particular tested property, get that information confirmed rather than making an assumption.\n\nFor a first repair, consider the furniture as well as the material. A small chair may be easier to inspect and handle than a heavy sofa. If the piece is awkward to move or the attachment method is unclear, ask for help before starting.\n\nMeasure the underside, not the furniture label\n\nA description such as “two-seat sofa” or “queen box spring” does not tell you the exact size of the area you need to cover. Shapes and attachment points differ. Your measurements need to come from the actual item.\n\nMeasure the length and width of the underside, then look at where the new fabric will attach. The open area alone is not enough. The material must also reach a suitable edge so it can be secured without being stretched beyond its size.\n\nCheck for legs, brackets and changes in shape. Think through how the fabric will sit around each one before deciding where to cut. A quick sketch can help you keep track of the measurements without marking the fabric.\n\nCompare that layout with the 152 x 274 cm piece. If you are planning several smaller covers, draw them all within that rectangle first. Do not assume that enough total area means every shape will fit.\n\nChoosing a sofa bottom cloth\n\nWhen shopping for sofa underside fabric, start with the job you want to complete. If the visible upholstery is fine and only the hidden cover needs replacing, an underside material is the relevant choice.\n\nNext, check the details that affect fit. Piece size matters more than a broad claim about fitting sofas. A cover that nearly reaches the edges may leave too little room for attachment, even if it spans the main opening.\n\nMaterial information matters too. This is polypropylene cambric with a non-woven construction, not a woven decorative cloth. Choose it for its stated underside use rather than expecting it to behave like the upholstery already on your sofa.\n\nFinally, separate known facts from missing information. The maker provides size, composition and weight, but does not give washing instructions or a warranty. If a missing detail is important to your plans, check it before cutting.\n\nCheck the furniture before fitting\n\nTake time to inspect the underside while it is accessible. Look at the frame and the areas where the old cover was attached. A fresh layer should not hide a problem that still needs repair.\n\nHandle furniture carefully and make sure it is stable before working underneath or around it. Do not attempt to turn a heavy item by yourself. If you cannot get safe access, an upholsterer or furniture repair service may be the better option.\n\nIf you remove an old cover, it can help you understand the original layout. Still, use fresh measurements. A damaged or stretched old piece may no longer show the shape accurately.\n\nThe maker does not specify a fixing method. Select one suited to the furniture rather than assuming the same approach works on every frame. Ask for advice if you are uncertain about tools or suitable attachment points.\n\nPlan the fit before making cuts\n\nLay out your measurements and check them once more before cutting the upholstery repair fabric. Mark the intended shape only when you are confident that it includes the edges needed for attachment.\n\nAim for a neat fit rather than the tightest possible fit. The listed stretch feature may help with shaping, but there is no stated stretch percentage or fitting tension. Avoid using force to compensate for an inaccurate cut.\n\nPay attention to corners as you plan. Material gathered in one area can affect how it sits along the next edge. Working through the shape in advance is easier than trying to correct a cut that leaves too little fabric.\n\nThis planning stage also protects your return options. Once the fabric has been cut or used, it no longer meets the stated conditions for a change-of-mind return. Confirm suitability while it is still untouched.\n\nCaring for the finished cover\n\nOnce installed, treat the cover as a hidden fabric layer, not a handle or a support. Avoid pulling it when moving furniture, and take care not to catch its edges with cleaning tools.\n\nFor routine care, gently remove loose dust with a soft brush. Check attachment points from time to time, especially if you notice a loose edge. Addressing a small fitting issue early can keep it from becoming a larger task.\n\nWashing and ironing instructions are not given by the maker by the maker. Do not guess a wash cycle or heat setting based only on the material name. Seek confirmed guidance before applying water, heat or cleaning products.\n\nIf the cover becomes damaged, inspect the surrounding area before replacing it. The useful question is whether only the fabric needs attention or whether something behind it also needs repair.\n\nDelivery, returns and project timing\n\nA delivery lead time is not specified by the maker. Check the delivery information for your address before arranging a repair date or taking furniture out of use.\n\nWhen the fabric arrives, check the piece and your planned measurements before washing, cutting or fitting it. Keep the original packaging until you have decided it is suitable. This is particularly helpful if you are buying DIY upholstery fabric for a project you have not started yet.\n\nReturns are accepted within 14 days of delivery when the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nThis black cambric fabric is a finishing material for suitable sofa, chair and box spring undersides. You receive one piece measuring 152 x 274 cm (60 x 108 in), made from non-woven polypropylene with a little stretch.\n\nCheck the furniture first, measure to the attachment points and plan your cuts carefully. If the underside cover is the only part that needs attention, replacing it can be a focused repair rather than a much larger upholstery project.", "llm_summary": "This black cambric dust cover fabric is supplied as one piece measuring 152 x 274 cm (60 x 108 in). The listed product dimensions are 274.32 x 152.4 x 0.1 cm, and the item weight is 231 g. It is made from non-woven 100% polypropylene at 1.2 oz per square yard, with stretch noted as a feature. Its intended uses include underside covers for sofas, chairs and mattress box springs. Country of origin, washing instructions and warranty are not specified by the maker. Returns are accepted within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. Customers pay return postage, while faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/black-cambric-dust-cover-fabric/", "canonical_url": "https://fabriccompany.net/black-cambric-dust-cover-fabric/", "json_url": "https://fabriccompany.net/api/products/black-cambric-dust-cover-fabric.json", "updated_at": "2026-11-13" }, { "id": "grey-headliner-fabric-96-x-60-inch", "sku": "grey-headliner-fabric-96-x-60-inch", "title": "Grey Foam-Backed Headliner Fabric 96 x 60 Inch", "slug": "grey-headliner-fabric-96-x-60-inch", "price": 128.99, "currency": "CAD", "availability": "in_stock", "category": "upholstery-fabrics", "category_label": "Upholstery Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "1.04 kg", "images": [ "https://fabriccompany.net/dropship-images/upholstery-fabrics/grey-headliner-fabric-96-x-60-inch/main-grey-headliner-fabric-96-x-60-inch.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/grey-headliner-fabric-96-x-60-inch/grey-headliner-fabric-96-x-60-inch-3.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/grey-headliner-fabric-96-x-60-inch/grey-headliner-fabric-96-x-60-inch-4.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/grey-headliner-fabric-96-x-60-inch/grey-headliner-fabric-96-x-60-inch-5.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/grey-headliner-fabric-96-x-60-inch/grey-headliner-fabric-96-x-60-inch-6.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/grey-headliner-fabric-96-x-60-inch/grey-headliner-fabric-96-x-60-inch-7.jpg" ], "description_short": "One piece of foam-backed fabric gives you material to measure, trim and shape for a roof lining project.", "description": "A worn or sagging roof lining can make the whole cabin feel tired. Replacing its fabric may be part of the answer, but buying the right material starts with a closer look at the job. You need enough coverage, a suitable backing and a plan for the roof board beneath it.\n\nThis headliner fabric is supplied as one grey foam-backed piece measuring 244 x 152 cm (96 x 60 in). It is material for a measured project, not a ready-made roof panel. That gives you room to shape it to your layout, provided the dimensions and construction suit the work.\n\nBefore choosing it, check what your existing lining needs. A fresh surface will not fix a damaged board or an unsuitable bonding surface.\n\nWhat you are buying\n\nThe maker's description is for one piece of foam-backed headliner fabric. The foam is already joined to the fabric, giving it a padded feel. You trim the supplied piece for your project rather than ordering a custom length.\n\nThe stated piece size is 244 x 152 cm (96 x 60 in). The product details also description dimensions of 243.84 x 152.4 x 0.1 cm and a weight of 1.04 kg. Use the supplied length and width when making your initial coverage check.\n\nThis is not a vehicle-specific kit. No shaped roof board or fitting pattern is described. Adhesive is not listed as included, so check what else your installer or fitting method requires.\n\nHow foam-backed roof lining works\n\nA roof lining has to follow the surface beneath it while presenting a tidy face inside the cabin. Foam-backed fabric brings the visible layer and a padded backing together in one material.\n\nThat construction does not make it self-adhesive. Nor does it tell you which glue will work with your existing board. The bond depends on the materials involved, the condition of the surface and the adhesive instructions.\n\nFor this product, the foam type and separate foam thickness are not given. The fibre composition is also unspecified. If your project calls for a particular construction, get those details confirmed before buying. A description such as foam-backed headliner fabric is useful, but it is not a substitute for a required technical specification.\n\nMeasure the board, not just the cabin\n\nA quick measurement across the visible roof can miss the material needed at the edges. Curves, recesses and wrapped sections may all affect the amount you need.\n\nWhere possible, work from the actual roof board or a reliable fitting pattern. Measure its full length and width, then consider how the fabric will sit across the surface. Check whether the job needs extra material beyond the visible face.\n\nCompare that layout with the 96 x 60 inch piece in both directions. Having enough total area does not guarantee that the shape will fit. A long, narrow board can exceed one dimension even when its overall area seems small enough.\n\nDo not cut openings at this planning stage. First establish that the whole layout fits within the material available.\n\nCheck the condition beneath the fabric\n\nWhen an old roof lining drops, the visible cloth may not be the only part that needs attention. Inspect the board and any remaining backing before deciding on a repair method.\n\nDo not assume that sticking headliner repair fabric over loose layers will create a sound finish. If the surface underneath is failing, that problem needs to be assessed first. An upholsterer can help decide what preparation is suitable.\n\nKeep preparation separate from product choice. This product tells you the piece size and that the fabric has foam backing. It does not provide a repair method for every roof board.\n\nIf trim removal or board handling is unfamiliar, get advice before taking the interior apart. Planning that step early is easier than stopping halfway through a job.\n\nDecide whether grey suits your interior\n\nGrey can be worth considering when planning a roof lining refresh, but an exact colour match is not promised. The maker does not provide a shade code or a match to any vehicle trim.\n\nLook at the surrounding parts of the cabin, including pillars, visors and edging. Decide whether you want a close match or are comfortable with a visible difference. Product photos can help you assess the general appearance, but screens and lighting can change how a shade looks.\n\nIf matching existing grey car interior fabric is essential, ask for further colour guidance before ordering. Inspect the actual piece before applying adhesive or making cuts.\n\nKnow which details are still unknown\n\nSome projects need more information than the maker's description supplies. Stretch, abrasion performance and temperature limits are not stated. Neither waterproof performance nor any certification is claimed.\n\nThe recorded height of 0.1 cm should not be read as a separate foam measurement. There is no breakdown showing the thickness of the face fabric and backing.\n\nThese gaps matter most when you have a strict fitting requirement. A deep curve may call for a known degree of stretch, while a specialist restoration may need a specific fabric construction.\n\nRather than guessing, write down the requirements that cannot change. Check those with an installer or request more product information before treating this vehicle ceiling fabric as a confirmed match.\n\nChoose a fitting method before you start\n\nThe right adhesive needs to suit both the fabric backing and the surface receiving it. No particular adhesive is specified here, so seek advice from an adhesive maker or upholsterer.\n\nExplain that you are working with foam-backed roof lining. Describe the board material if you know it, along with the conditions the finished lining will face. Follow the chosen adhesive's preparation, application and curing instructions.\n\nDo not assume that a general craft glue or a product left over from another job is suitable. Check compatibility first.\n\nAlso plan where the work will happen. A clean working surface helps keep the visible face free from dirt while you measure and position the material. Leave enough space to lay out the full piece without forcing it into sharp folds.\n\nIs this a sensible DIY project?\n\nDIY headliner replacement can appeal if you are comfortable measuring, working with trim and handling a large fabric piece. This material can be cut to shape, but that is only one part of the job.\n\nThink through the entire process before ordering. Can you remove and replace the board correctly? Do you have somewhere to prepare it? Are you confident about positioning the fabric before the adhesive sets?\n\nIf one of those steps is uncertain, professional fitting may be the better route. You can still choose the material yourself, but ask the installer to approve it first.\n\nFor a larger vehicle, do not assume one piece will be enough. Vans and other long roof areas need the same careful dimension check as any car.\n\nCheck everything before making the first cut\n\nOnce the fabric arrives, inspect its appearance and condition while it is still unused.\n\nKeep the original packaging until you have decided to proceed. Lay out your plan and check the direction of the piece before marking any cutting lines.\n\nWork slowly around openings and edges. An early cut in the wrong place can limit your options later. Use suitable cutting tools and protect the work surface underneath.\n\nThe aim of this check is simple. Resolve doubts while the material is still whole, rather than discovering a size or colour problem after fitting has begun.\n\nCare before and after fitting\n\nBefore installation, keep the fabric clean and dry. Avoid placing heavy objects on it or pressing sharp folds into the foam backing.\n\nDetailed washing instructions are not given by the maker. Do not machine wash or soak the material without confirmed guidance. If cleaning becomes necessary, test a suitable cleaner on a small hidden area before wider use.\n\nOnce fitted, care also depends on the adhesive and installation. Follow any relevant cleaning guidance from the adhesive maker or your upholsterer.\n\nAvoid making assumptions based on other upholstery fabrics. A method suitable for a seat cover may not be right for a foam-backed roof lining.\n\nDelivery and returns worth checking\n\nA delivery timeframe is not given by the maker. Check the delivery details available for your address before booking installation or setting a firm project date.\n\nThe return window is 14 days from delivery. To qualify under the stated change-of-mind conditions, fabric must be unwashed, uncut, unused and in its original packaging. The customer pays return postage.\n\nFaulty or wrongly described goods are put right free of charge. If something appears wrong, contact us before altering the piece.\n\nThese conditions make the first inspection important. You can assess the material without committing to the irreversible parts of the project.\n\nThe short version\n\nChoose this grey headliner fabric if one 244 x 152 cm (96 x 60 in) foam-backed piece meets your measured layout and fitting requirements. It offers material to shape for a roof lining job, not a guaranteed fit for a particular vehicle.\n\nMeasure carefully, confirm adhesive compatibility and inspect the piece before cutting. If your project needs a known fibre type, stretch level or foam thickness, get those details confirmed first. A little checking at the start can prevent a difficult compromise later.", "llm_summary": "This product is one piece of grey foam-backed headliner fabric for roof lining projects. The supplied size is 244 x 152 cm (96 x 60 in). Listed product dimensions are 243.84 x 152.4 x 0.1 cm, and the stated weight is 1.04 kg. The foam is integrated with the fabric, which can be cut to shape. Fibre composition, foam type, separate foam thickness, country of origin and vehicle-specific fitment are not specified by the maker. The item is listed as new and in stock. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/grey-headliner-fabric-96-x-60-inch/", "canonical_url": "https://fabriccompany.net/grey-headliner-fabric-96-x-60-inch/", "json_url": "https://fabriccompany.net/api/products/grey-headliner-fabric-96-x-60-inch.json", "updated_at": "2026-11-13" }, { "id": "mocha-shade-cloth-90-percent-10-x-10-ft", "sku": "mocha-shade-cloth-90-percent-10-x-10-ft", "title": "Mocha 90% Shade Cloth Panel 10 x 10 ft", "slug": "mocha-shade-cloth-90-percent-10-x-10-ft", "price": 147.99, "currency": "CAD", "availability": "in_stock", "category": "upholstery-fabrics", "category_label": "Upholstery Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "1.71 kg", "images": [ "https://fabriccompany.net/dropship-images/upholstery-fabrics/mocha-shade-cloth-90-percent-10-x-10-ft/main-mocha-shade-cloth-90-percent-10-x-10-ft.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/mocha-shade-cloth-90-percent-10-x-10-ft/mocha-shade-cloth-90-percent-10-x-10-ft-2.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/mocha-shade-cloth-90-percent-10-x-10-ft/mocha-shade-cloth-90-percent-10-x-10-ft-3.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/mocha-shade-cloth-90-percent-10-x-10-ft/mocha-shade-cloth-90-percent-10-x-10-ft-4.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/mocha-shade-cloth-90-percent-10-x-10-ft/mocha-shade-cloth-90-percent-10-x-10-ft-5.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/mocha-shade-cloth-90-percent-10-x-10-ft/mocha-shade-cloth-90-percent-10-x-10-ft-6.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/mocha-shade-cloth-90-percent-10-x-10-ft/mocha-shade-cloth-90-percent-10-x-10-ft-7.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/mocha-shade-cloth-90-percent-10-x-10-ft/mocha-shade-cloth-90-percent-10-x-10-ft-8.jpg" ], "description_short": "A breathable 10 x 10 ft panel with reinforced grommets helps shade outdoor spaces while allowing airflow.", "description": "When an outdoor spot gets too much sun\n\nA patio can look inviting in the morning and feel far too exposed by lunch. Garden seating, a greenhouse corner or a small backyard may need shade without the enclosed feel of a solid cover. That is where a shade cloth panel can be useful.\n\nThis product is one mocha panel with a stated 90% shade level. It measures 3.05 x 3.05 m (10 x 10 ft) and comes with grommets, nylon ropes and zip ties. It is a finished panel, not fabric cut to your measurements.\n\nThe main question is whether that size and shade level suit your space. Start with how you want to use the area, then check the sun, supports and room for attachment. A little planning helps avoid buying a panel that fits on paper but misses the spot you wanted shaded.\n\nHow the shade fabric works\n\nShade cloth sits between the sun and the area you want to cover. This panel uses breathable HDPE mesh rather than a solid sheet. It reduces direct sun while allowing air to pass through the fabric.\n\nThe stated 90% shade level is useful when comparing products, but it does not tell you every detail about the result. The maker gives no measured temperature drop.\n\nDo not treat the shade percentage as a complete sun-safety measure. People still need to consider reflected light and sun reaching in from the sides. Use appropriate personal sun protection when spending time outdoors.\n\nIt is also important to separate shade from rain cover. This panel is listed as not water resistant. If your main goal is to keep chairs, cushions or guests dry, you need a cover designed for that purpose.\n\nCheck the size against your actual space\n\nThe supplied panel is square, measuring 3.05 x 3.05 m (10 x 10 ft). Mark that footprint in your planned location before ordering. Looking at a measured outline is often more helpful than trying to picture the size from a product photograph.\n\nNext, identify where it could attach. The fabric dimensions are not a promise that the panel will fit neatly between supports exactly that distance apart. Your chosen attachment method needs room too. Rope lengths and detailed installation clearances are not stated by the maker.\n\nThink about what needs shade most. A small table, a chair used for reading or a section of garden may be the real target. You do not always need to shade the whole space to make a useful change.\n\nThis 10 x 10 ft shade cloth is supplied in one fixed size. If the layout calls for a different shape, do not plan on cutting this panel as your first solution. Cutting changes the finished edges and removes it from the stated change-of-mind return conditions.\n\nWatch the sun before choosing a position\n\nThe shadow beneath a panel changes as the sun moves. A cover placed directly above a table may not shade that table when the sun is lower. That matters if you mainly use the space in the late afternoon.\n\nVisit the area at the hours you expect to use it. Note which side the sun comes from and where shade already falls from walls, trees or fences. Then consider where an added panel would help.\n\nFor outdoor seating shade, focus on where people will sit rather than only the centre of the patio. Leave room for chairs to move and for people to walk around the space.\n\nMocha shade cloth also becomes part of the view from nearby windows. Check how the proposed position looks from indoors. A useful cover should work with the way you use the house as well as the garden.\n\nUnderstand the mounting details\n\nThe listed mounting type is post mount. Reinforced edges and double grommets on each edge provide attachment points around the panel. Nylon ropes and zip ties are included, but their quantities and lengths are not stated.\n\nThose supplied parts do not answer every installation question. You still need suitable supports and a fixing plan for your site. Posts are not listed as included, so allow for them or confirm that your existing supports are appropriate.\n\nExact grommet spacing is not given. If your setup depends on attachments lining up with fixed points, ask for that detail before ordering rather than guessing from images.\n\nThe maker's description also gives no wind rating or specified tension. Do not pull the fabric tight simply because more tension seems better. Follow any fitting guidance supplied with the product and seek suitable advice if the strength of your supports is uncertain.\n\nWho this garden shade panel may suit\n\nThis panel may suit someone who wants less direct sun over an outdoor seating area while keeping an open feel. Its breathable construction makes it different from a solid roof or enclosed awning.\n\nA garden shade panel may also help with a specific exposed spot rather than a whole yard. For example, you might be planning shade near a seating nook or beside a garden work area. Check the footprint and sun direction for that exact location.\n\nThe mesh can offer some screening, but it is not a solid privacy wall. If privacy is your main reason for buying, consider the view through the fabric from both sides and at different light levels. Do not assume that a high shade percentage means complete visual privacy.\n\nIt is less suitable when the main need is weatherproof storage or a covered route that stays dry in rain. Those jobs call for different performance details.\n\nChoosing shade for plants and greenhouses\n\nGreenhouse shading is among the suggested uses, but a plant's light needs should guide the choice. A 90% shade level is not automatically right for every plant or every growing season.\n\nBefore choosing plant shade fabric, check what you are growing and how much direct light it needs. Consider existing shade from glazing, nearby buildings and trees too. Adding a panel changes the light reaching the growing area.\n\nLook at access as well. You still need room to reach plants, water them and maintain the space. The panel and its attachments should not get in the way of normal greenhouse use.\n\nIf you are unsure about the shade level, ask for plant-specific growing advice first. The maker does not provide crop recommendations or measured growing results.\n\nThink carefully about other outdoor uses\n\nThe product information mentions backyards, carports, play areas and pet houses as possible shading locations. These are suggestions for use, not proof that every installation in those settings is suitable.\n\nFor a pet area, shade is only one part of the setup. Suitable shelter, ventilation and access to water still matter. Check the area as conditions change rather than assuming the panel keeps it comfortable throughout the day.\n\nFor a play area or carport, the supporting structure needs its own assessment. No structural load rating or safety certification is given in the maker's description. The panel should not be treated as protection from falling objects or severe weather.\n\nIf you are considering pergola shade cloth, compare the panel with the pergola's layout first. Compatibility with a particular structure is not confirmed.\n\nCare, checks and storage\n\nKeep care simple and gentle. Remove loose debris without harsh scrubbing, and check for anything caught in the mesh. Look over the grommets, edges and attachments regularly so wear does not go unnoticed.\n\nA washing temperature and machine-washing method are not stated. Check any care information supplied with the panel before cleaning it. Avoid guessing that a laundry method suitable for other household fabrics will suit this one.\n\nLet the panel dry fully before storing it. Choose a storage spot away from sharp tools or rough edges that could catch the mesh.\n\nThere is no stated wind limit. If poor weather is forecast, review the setup rather than relying on broad claims about outdoor durability. Follow supplied guidance and use care when taking the panel down.\n\nCheck the order before fitting\n\nOn arrival, check that the panel, nylon ropes and zip ties are present.\n\nThe return period is 14 days from delivery. Change-of-mind returns require the fabric to be unwashed, uncut, unused and in its original packaging, with return postage paid by the customer. Keep the packaging while deciding whether the panel suits your plans.\n\nIf goods are faulty or wrongly described, they are put right free of charge. That is separate from deciding that the size or colour is not right for your space.\n\nA delivery timeframe is not provided by the maker. Check the estimate for your Canadian address before arranging installation or planning around an event.\n\nThe short version\n\nChoose this panel if you need one mocha, breathable 90% shade cloth in a 3.05 x 3.05 m (10 x 10 ft) size. It has reinforced grommet edges and includes nylon ropes and zip ties.\n\nMeasure first, check the sun at the time you use the area, and plan suitable supports. Keep its limits in mind: it is not water resistant, and no wind rating is stated. Those checks will help you decide whether it fits the job before you start installation.", "llm_summary": "This product is one mocha 90% shade cloth panel measuring 3.05 x 3.05 m (10 x 10 ft), with a listed weight of 1.71 kg. The product details identify the fabric as high density polyethylene (HDPE). It has breathable mesh, reinforced edges and double grommets on each edge. Nylon ropes and zip ties are included. The listed mount type is post mount. Suggested uses include outdoor seating areas, gardens and greenhouse shading. It is not water resistant. Grommet spacing, rope lengths, wind limits and country of origin are not specified by the maker. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with customer-paid return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/mocha-shade-cloth-90-percent-10-x-10-ft/", "canonical_url": "https://fabriccompany.net/mocha-shade-cloth-90-percent-10-x-10-ft/", "json_url": "https://fabriccompany.net/api/products/mocha-shade-cloth-90-percent-10-x-10-ft.json", "updated_at": "2026-11-13" }, { "id": "off-white-marine-vinyl-fabric-1-yard", "sku": "off-white-marine-vinyl-fabric-1-yard", "title": "Off-White Marine Vinyl Fabric, 1 Yard", "slug": "off-white-marine-vinyl-fabric-1-yard", "price": 77.99, "currency": "CAD", "availability": "in_stock", "category": "upholstery-fabrics", "category_label": "Upholstery Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "600 g", "images": [ "https://fabriccompany.net/dropship-images/upholstery-fabrics/off-white-marine-vinyl-fabric-1-yard/main-off-white-marine-vinyl-fabric-1-yard.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/off-white-marine-vinyl-fabric-1-yard/off-white-marine-vinyl-fabric-1-yard-3.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/off-white-marine-vinyl-fabric-1-yard/off-white-marine-vinyl-fabric-1-yard-5.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/off-white-marine-vinyl-fabric-1-yard/off-white-marine-vinyl-fabric-1-yard-6.jpg", "https://fabriccompany.net/dropship-images/upholstery-fabrics/off-white-marine-vinyl-fabric-1-yard/off-white-marine-vinyl-fabric-1-yard-7.jpg" ], "description_short": "A single solid-colour piece offers water and abrasion resistance for upholstery, nautical accessories and crafts.", "description": "Start with the panel you need to cover\n\nA worn seat or an unfinished headboard can leave you looking for a small piece of upholstery fabric rather than a whole roll. The hard part is finding material that suits the job and gives you enough room for folds, seams and fixings.\n\nThis off-white marine vinyl fabric is supplied as one piece. It is described as 1 yard (90 cm) long and 140 cm wide, with a solid colour and a faux leather fabric type. Its listed uses include boat seats, indoor and outdoor upholstery, nautical accessories, headboards and crafts.\n\nThat makes it worth considering for a planned panel or smaller project. Before choosing it, though, start with your pattern rather than the visible size of the seat.\n\nWhat marine vinyl offers\n\nThe product details identify this as vinyl, with resistance to water, abrasion, UV and sunlight. Those are useful properties to consider when choosing marine upholstery material for a seat or accessory that may face moisture and daylight.\n\nThese claims have limits. No test scores, exposure periods or expected lifespan are given. Water resistance also does not mean that a sewn cover will be waterproof. Stitch holes, joins and the way the cover fits can affect the finished result.\n\nThink of this as a material choice within a wider project. It supplies the covering, while your pattern, base and fixing method shape how that covering works. If your project requires a particular performance rating, confirm it before buying. The word “marine” alone does not establish a test standard.\n\nUnderstand the supplied size\n\nSize deserves a careful check here. The piece is sold as 1 yard (90 cm) long and 140 cm wide. The maker's description also gives dimensions of 137.16 x 91.44 x 0.1 cm.\n\nDo not plan a tight layout using whichever figure gives you more room. A little uncertainty on paper can become a missing fixing margin once the fabric is cut.\n\nOrdering more than one piece does not establish that you will receive a continuous length. For a long bench or large headboard, settle the layout and supply format first.\n\nThe listed weight is 600 g. That is the item weight, not a stated weight per square metre.\n\nDecide whether off white suits the space\n\nOff-white upholstery vinyl can work when you want a light, solid-colour surface without a printed pattern. Here, the listed colour is off white, but the maker does not define its exact undertone.\n\nLook at the other finishes around your project. A seat may sit beside painted trim, flooring or an existing cushion. A headboard may be close to white bedding. Small differences between pale shades can be easy to notice when they sit side by side.\n\nProduct photos help you judge the general appearance, but they cannot settle an exact match. Check the fabric in the light where it will be used before making permanent changes. Keep it uncut and unused while you decide whether the colour works.\n\nIf you are matching an existing vinyl seat covering, allow time for that check rather than assuming that two items described as off white will look the same.\n\nMatch the material to your project\n\nBoat seating is one of the listed uses. For a seat panel, measure more than its top face. Include the sides, any folds and the material needed to attach the cover underneath. Curves and corners may also change the pattern.\n\nFor a headboard, measure the depth as well as the front. A piece that covers the visible surface may still be too small to wrap around and secure at the back. Mark the whole outline on paper before committing to fabric.\n\nSmaller uses may be easier to arrange within one piece. Nautical accessory fabric and craft panels can often be laid out separately, but each part still needs its own allowances. Leave space between pattern pieces so one cut does not damage the next.\n\nIndoor upholstery and outdoor upholstery are both stated uses. If the project has special requirements beyond those described, ask about them. The maker does not provide a backing composition, stretch figure or detailed performance rating.\n\nChoose how you will attach it\n\nThe listed working methods are cutting, sewing, gluing and stapling. That gives you options, but it does not mean every method suits every design.\n\nSewing may be part of a shaped cover or a joined panel. No needle, thread or machine settings are supplied, so use an offcut to check your setup when possible. It is better to find a problem in a spare piece than along a visible seam.\n\nGluing calls for a suitable adhesive and a suitable base. Check the adhesive maker's guidance for vinyl compatibility. The maker does not name a glue or promise that all adhesives will work.\n\nStapling depends on the structure beneath the covering. Check that your base can accept the fixings and that you have left enough fabric to reach them. The fabric description does not include a fastening plan, so work that out before cutting.\n\nBuild a full pattern before using the fabric\n\nA paper pattern is a useful way to test a DIY upholstery fabric project without altering the material. Mark the finished outline, then add every seam, fold and fixing margin your design needs.\n\nLay all parts out together. This helps reveal whether a single piece is enough and whether you have left room to cut cleanly. Do not forget parts that are hidden when the work is finished, such as a return around a seat edge.\n\nTake another look at the layout before making the first cut. Check which side of each pattern piece should face up and where any joined edges will meet. A solid colour removes pattern matching from the task, but shape and orientation still matter.\n\nIf you are replacing an old cover, it may help you understand the original construction. Treat it as a guide to check, not proof that every measurement will transfer without adjustment.\n\nBe realistic about outdoor use\n\nOutdoor upholstery vinyl has to suit the conditions where you intend to use it. This material has listed resistance to sunlight, UV and water, but there is no stated limit for exposure or a promise of permanent colour stability.\n\nConsider the whole seat or cover. Water may reach foam through seams or collect in parts of a finished design. A water-resistant outer material does not answer every question about drainage, storage or the base underneath.\n\nFor demanding outdoor work, identify the performance details you need before ordering. If you need a specific test result, ask for it rather than reading it into a general resistance claim.\n\nThis also applies to wear. Abrasion resistance is listed, but there is no score that lets you compare it directly with a tested commercial upholstery fabric.\n\nCare for it without guessing\n\nThe supplied care instruction is hand wash only. The maker does not give a washing temperature, approved detergent or stain-removal process.\n\nStart cautiously with cleaning products. Check that a product is suitable for vinyl and test it in a hidden area before treating a visible panel. Avoid abrasive tools that could affect the finish.\n\nDo not assume machine washing or direct ironing is suitable. Neither is supported by the care details. If creases or a stubborn mark need treatment, seek advice before applying heat or a strong cleaner.\n\nAllow the fabric to dry before storing it. Keeping it clean and dry also makes it easier to inspect before the next stage of your project.\n\nCheck the order before changing the fabric\n\nWhen the piece arrives, check its colour, condition and usable measurements before washing or cutting. Compare it with your full pattern while you can still leave it unchanged.\n\nFor Canadian orders, the delivery lead time is not stated by the maker. Check the estimate for your address, especially if you are trying to finish a seat or gift by a set date.\n\nReturns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage for these returns. Keep the packaging while you inspect the piece and decide whether it suits the job.\n\nFaulty or wrongly described goods are put right free of charge. If something appears wrong, raise it before starting work rather than trying to cut around the problem.\n\nThe short version\n\nThis one-piece off-white vinyl fabric is an option for planned upholstery, nautical accessories and crafts. It has a faux leather fabric type, several stated working methods and listed resistance to water, abrasion, sunlight and UV.\n\nThe key step is checking fit. Then inspect the piece before making changes. That gives you a clearer basis for deciding whether this fabric belongs in your project.", "llm_summary": "This marine vinyl fabric is one off-white, solid-pattern piece described as 1 yard (90 cm) long and 140 cm wide. The maker's description also lists dimensions of fitting a close pattern. Weight is 600 g. Product details identify vinyl with a faux leather fabric type. Listed uses include boat seats, nautical accessories, indoor and outdoor upholstery, headboards and crafts. It can be cut, sewn, glued or stapled and is described as resistant to UV, sunlight, abrasion and water. Care is hand wash only. Origin, backing composition, test ratings and warranty are not specified by the maker.", "returnable": true, "return_policy": "Voluntary 14-day change-of-mind returns in original condition, buyer pays return postage; the consumer protection law of your province or territory for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabriccompany.net/off-white-marine-vinyl-fabric-1-yard/", "canonical_url": "https://fabriccompany.net/off-white-marine-vinyl-fabric-1-yard/", "json_url": "https://fabriccompany.net/api/products/off-white-marine-vinyl-fabric-1-yard.json", "updated_at": "2026-11-13" } ] }